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  1. Bubblegum (juga disebut pop bubblegum) adalah musik rok dan pop dalam gaya menarik perhatian dan cepat yang dipasarkan untuk anak dan remaja. [13] Istilah ini juga merujuk kepada subgenre rok dan pop yang lebih spesifik, [14] berasal dari Amerika Serikat pada dekade 1960-an, yang dikembangkan dari rok garasi, lagu-lagu noveltas, dan bunyi Brill ...

  2. Bubblegum (also called bubblegum pop) is pop music in a catchy and upbeat style that is marketed for children and adolescents. The term also refers to a more specific rock and pop subgenre, [14] originating in the United States in the late 1960s, that evolved from garage rock , novelty songs , and the Brill Building sound , and which was also ...

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  4. Oct 25, 2023 · Characteristics of Bubblegum Pop: The Recipe for Catchy Tunes. Bubblegum Pop is characterized by several distinct features that set it apart from other genres: Upbeat and Catchy Melodies: One of the hallmarks of Bubblegum Pop is its emphasis on infectious melodies that are easy to remember and sing along to.

  5. Apr 2, 2019 · The sub-genre of pop music originally known as "bubblegum" pop music is one of the very few dominated by a specific production team: in this case, Super K Productions, the team of Jerry Kasenetz and Jeffrey Katz, who scored the majority of bubblegum's biggest hits in the late '60s. The craze was kicked off, however, by songwriter, sessionman ...

  6. Bubblegum pop, is a style of pop music. It derives from synthpop . It is much like its predecessors, although it adds traditional nursery rhymes to a synth background.

  7. Dec 7, 2023 · To understand bubblegum pop within the realm of pop music, we must first define it. Bubblegum pop is a subgenre characterized by its simplicity, infectious melodies, and lyrics that often revolve ...

  8. Jan 3, 2012 · In truth, it could be said that most pop music, which embodies many of the ingredients mentioned above, is bubblegum music. During the late 1950s, a dramatic change in rock music occurred. In an effort to clean up the genre, which most adults of the ’50s detested, raw and uninhibited performers like Gene Vincent and Eddie Cochran were ...

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