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Contempt. (film) Contempt (French: Le Mépris) is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel Il disprezzo ( A Ghost at Noon) by Alberto Moravia. [6] It stars Brigitte Bardot, Michel Piccoli, Jack Palance, Fritz Lang, and Giorgia Moll .
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script.
Contempt (1963) -- (Movie Clip) Completely, Tenderly, And Tragically Artsy director Jean-Luc Godard makes no explanation for his lighting in this scene introducing principals Camille (Brigitte Bardot) and Paul (Michel Piccoli) in Contempt, 1963, from a novel by Alberto Moravia.
- Jean-Luc Godard, Charles Bitsch
- Brigitte Bardot
Jean-Luc Godard’s subversive foray into commercial filmmaking is a star-studded Cinemascope epic. Contempt (Le Mépris) stars Michel Piccoli as a screenwriter torn between the demands of a proud European director (played by legendary director Fritz Lang), a crude and arrogant American producer (Jack Palance), and his disillusioned wife, Camille (Brigitte Bardot), as he attempts to doctor the ...
- Camille Javal
Written by CinemaSerf on June 10, 2023. A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a ...
France/Italy, 1963. Directed by Jean-Luc Godard. Starring Brigitte Bardot, Jack Palance, Michel Piccoli, Giorgia Moll, Fritz Lang. Screenplay by Jean-Luc Godard. Approx. 101 min. 4K Restoration. In French, English, German, and Italian with English subtitles. Contempt… that’s what ex-typist Bardot has for screenwriter husband Piccoli—but why?
