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The artist even returned to two signature characters: he inked Hawkeye stories in Solo Avengers #17–20 and the subsequent Avengers Spotlight #21–22 (April–Sept. 1989) – both penciling and inking a second Hawkeye story in that last issue – and he drew Iron Man, inking penciler Mark Bright's eight-page "The Other Way Our" in Marvel ...
Heck gave Tony Stark his movie-star good looks by basing him on Errol Flynn. Artistically, Heck's influence is most strongly remembered from Avengers. The ubiquitous Kirby had pencilled the first 8 issues, but Heck took over on #9 (October 1964) and remained the primary artist on Avengers until 1967.
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Dec 14, 2021 · My introduction to Don Heck’s art began in the mid-1960s, where he was thrust into Marvel's growing assemblage of superheroes, including "Iron Man," "Ant-Man," and The Avengers.
- Nick Caputo
Don Heck was born on 2 January 1929 in Queens, New York, USA. Don was a writer, known for Iron Man (2008), Avengers: Endgame (2019) and Iron Man 3 (2013). Don died on 23 February 1995 in Centereach, Suffolk, New York, USA.
- January 1, 1
- Queens, New York, USA
- January 1, 1
- Centereach, Suffolk, New York, USA
Donald L. Heck (January 2, 1929 – February 23, 1995) was an American comics artist best known for co-creating the Marvel Comics characters Iron Man, the Wasp, Black Widow, Hawkeye, and Wonder Man and for his long run pencilling the Marvel superhero-team series The Avengers during the 1960s Silver Age of comic books.
Heck's first super-hero assignment was on the first 'Iron Man' story, which appeared in Tales of Suspense in 1963. Heck also did work on early stories of 'Thor' and 'Giant Man'. But he is probably best remembered for his long, first run on 'The Avengers', that started in 1964.
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May 30, 2015 · Don Heck is recognized in fan circles for his contributions to Marvel's early superhero line, in particular "Iron-Man" (in Tales of Suspense) and The Avengers, but his style, greatly influenced by the craftsmanship of master cartoonist Milton Caniff (of Terry and the Pirates fame) was often at odds with the overwhelming, massive figures and ...
