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  1. Jun 16, 2016 · When it did, Rohmer became the proprietor of a small but thriving business, and his working life was vigorous—he made twenty-two features between 1966 and 2006. Yet his wife, Thérèse Schérer ...

  2. the moral direction of one's life. Cahiers du Cinema in its review of Die Marquise von 0 underlines the link between the vacillations of Rohmer's men before the allurements of women and a certain lichete'salvatrice' a drift or lack of concern about salvation typical of the bourgeois existence. Thus the moral tales are more

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  4. There is no doubt that Moses is the most important human figure in the Torah, which could almost be understood, as suggested by Rolf Knierim, as a "biography of Moses. " 1 Indeed, the book of Exodus starts with Moses's birth story in chapter 2, and the last chapter of the Pentateuch, Deut 34, reports the death of Moses, so that the books of ...

  5. en.wikipedia.org › wiki › Éric_RohmerÉric Rohmer - Wikipedia

    Children. 2. Jean Marie Maurice Schérer or Maurice Henri Joseph Schérer, known as Éric Rohmer ( French: [eʁik ʁomɛʁ]; 21 March 1920 [a] – 11 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher. Rohmer was the last of the post-World War II French New Wave directors to become established.

    • 2
    • Maurice Henri Joseph Schérer or Jean Marie Maurice Schérer, 21 March 1920, Tulle, France
    • 1945–2009
    • 11 January 2010 (aged 89), Paris, France
  6. Mar 11, 2010 · Whether the reference is to Sherwin-Williams or Cezanne, the insinuation is that while Rohmer may have crafted delicate tales and created striking visual compositions, he was not really a filmmaker; he never made movies. Rohmer did place speech over spectacle, but only out of a belief that in life the real action takes place in conversations.

  7. Aug 17, 2016 · Although rendered in a clear, straightforward style, the book is not undemanding. Rohmer’s thought and work were complex, and it’s this fact in part that determines the book’s form, which follows the chronology of Rohmer’s life but also concentrates, in particular chapters on specific modes of activity or thought, and here the authors will hopscotch around the timeline to serve the ...

  8. Often, Rohmer did not let the actors know when rehearsal ended and filming began. Rohmer was born (in 1920) Maurice Schérer and, under that name, conducted his life as a teacher and a bourgeois family man in parallel with his life as a filmmaker. His mother died in 1970 without ever having known that her son was already a famous film director.

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