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  1. Léger embraced the Cubist notion of fracturing objects into geometric shapes, but retained an interest in depicting the illusion of three-dimensionality. Léger's unique brand of Cubism was also distinguished by his focus on cylindrical form and his use of robot-like human figures that expressed harmony between humans and machines.

    • French
    • February 4, 1881
    • Argentan, France
    • August 17, 1955
  2. Regarded as the forerunner of the up and coming Pop Art style, Fernand Leger was a French painter, sculptor and filmmaker, working in his own form of cubism, modified into a figurative style. He originally trained as an architect, and worked as an architectural draftsman in Paris in 1900.

    • French
    • February 4, 1881
    • Argentan, Orne, France
    • August 17, 1955
  3. He dabbled in painterly abstraction and with a mechanical aesthetic, exhibited with the Cubists and Purists, and experimented with media as diverse as painting, drawing, works on paper, muralism, set design, book illustration, ceramics, and film.

  4. Mar 21, 2024 · Fernand Léger (born February 4, 1881, Argentan, France—died August 17, 1955, Gif-sur-Yvette) was a French painter who was deeply influenced by modern industrial technology and Cubism. He developed “ machine art,” a style characterized by monumental mechanistic forms rendered in bold colours.

  5. His early mature work was strongly influenced by Cubism and, after serving in World War I, he developed a personal style of abstraction that further manifested the speed and dynamism of contemporary society. Léger's "mechanical period," which lasted from about 1918 to 1923, reflects his infatuation with the machine and with modern technology.

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  7. Joseph Fernand Henri Léger (French pronunciation: [fɛʁnɑ̃ leʒe]; February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more figurative, populist style.

  8. With its faceted forms and reduced palette, Cubism offered a revolutionary style to approach the world; Léger, however, distinguished himself from Braque and Picasso with muted compositions of repeated, cylindrical forms that French critic Louis Vauxcelles derisively called "Tubism."

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