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  1. Schiller's poetry, characterized by intense emotion and lyrical beauty, contributed significantly to the Sturm und Drang movement, a precursor to Romanticism. This period emphasized subjectivity and extremes of emotion, reacting against the Enlightenment's emphasis on rationality.

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    • Elysium

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  2. en.wikipedia.org › wiki › Ode_to_JoyOde to Joy - Wikipedia

    "Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]) is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller. It was published the following year in the German magazine Thalia .

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  4. May 29, 2018 · Schiller states explicitly the subject of his poemSehnsuchtfrom sehnen (to long) + Sucht (anxiety; sickness; addiction), “krankheit des schmerzlichen verlangens”. Schiller not only focused on lyric poetry, but also on science, history, and drama.

  5. Friedrich von Schiller's poetry is characterized by its emotive and evocative nature, capturing the essence of human experiences and emotions with depth and sensitivity, often exploring themes of love, passion, and the human spirit. This is one of his best, and most evokative poems.

  6. Oct 26, 2006 · THE SECRET. She sought to breathe one word, but vainly; Too many listeners were nigh; And yet my timid glance read plainly The language of her speaking eye. Thy silent glades my footstep presses, Thou fair and leaf-embosomed grove! Conceal within thy green recesses From mortal eye our sacred love!

  7. Oct 26, 2006 · Produced by Tapio Riikonen and David Widger. SCHILLER'S POEMS. By Friedrich Schiller. POEMS OF THE SECOND PERIOD. CONTENTS. HYMN TO JOY. Joy, thou goddess, fair, immortal, Offspring of Elysium, Mad with rapture, to the portal. Of thy holy fame we come! Fashion's laws, indeed, may sever, But thy magic joins again; All mankind are brethren ever.

  8. ‘Evening’ by Friedrich Schiller is a four-stanza poem that is separated into sets of four lines, or quatrains. The poet has chosen not to unify this piece through the use of a rhyme scheme, but there are a number of instances in which the lines relate to one another through imagery and word choice.

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