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  1. Discover Jean-Philippe Rameau famous and rare quotes. Share Jean-Philippe Rameau quotes about instinct, common and seems. "Nature endows us with the feeling that moves..."

  2. Quotes [edit] Therefore we well observe that the title of perfect cadence is attached only to a dominant that progresses to the main tone, because this dominant, which is naturally contained within the harmony of the main tone, seems, when it progresses to it, to return as if to its source. Jean-Philippe Rameau (1726).

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  4. Oct 26, 2021 · “Rhythm and sounds are born with syllables.” –Jean-Phillipe Rameau. “Emphasis on the common emotive or affective origins of music and words in the first cries of humankind undermines words.” –Jean-Phillipe Rameau. “I have been a follower of the stage since I was twelve years old.

  5. Assistant Professor, Humanities Program, San Jose State College. JEAN-PHILIPPE RAMEAU (1683-1764)1 was poser he belonged to a distinguished but neverthe- that rare phenomenon in history, a musical genius less large company. But he was sui generis, he in search of rational, mathematical, and scientific repeatedly contended, in having been guided ...

  6. Jean Philippe Rameau. Verse, singing, and speech have a common origin. Jean Philippe Rameau. Rhythm and sounds are born with syllables. Enjoy the best Jean Philippe Rameau Quotes at BrainyQuote. Quotations by Jean Philippe Rameau, French Composer, Born September 25, 1683. Share with your friends.

  7. 4 quotes from Jean-Philippe Rameau: 'Music is a science which should have definite rules; these rules should be drawn from an evident principle; and this principle cannot really be known to us without the aid of mathematics.', 'Even nature is concerned, for it leads us to choose the third as the sole consonance which may makeup for the ...

  8. en.wikipedia.org › wiki › Hans_RameauHans Rameau - Wikipedia

    He attended the Werner von Siemens High School in Berlin and graduated from high school in 1919. After training at the Berlin Reinhardt Seminar, Rameau played at the Neue Schauspielhaus in Königsberg in 1920 and at the Munich Kammerspiele from 1921 to 1924. Having established himself in the German film industry, he left the country following ...

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