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  1. Howard G. Kazanjian (born July 26, 1942) is an Armenian-American film producer best known for the Star Wars films The Empire Strikes Back and Return of the Jedi, as well as the Indiana Jones movie Raiders of the Lost Ark.

  2. Howard G. Kazanjian was born on 26 July 1942 in Los Angeles County, California, USA. He is a producer and assistant director, known for Demolition Man (1993), Raiders of the Lost Ark (1981) and Star Wars: Episode VI - Return of the Jedi (1983). He has been married to Carol Anne Eskijian since 29 May 1970.

    • January 1, 1
    • Howard G. Kazanjian
    • Los Angeles County, California, USA
  3. Howard G. Kazanjian is an Armenian-American film producer best known for the Star Wars films The Empire Strikes Back and Return of the Jedi, as well as the Indiana Jones movie Raiders of the Lost Ark. Kazanjian was an originating member of Lucasfilm, Ltd., serving as its vice president for approximately eight years.

  4. Oct 28, 2021 · Howard Kazanjian is a film producer whose career spans 50 years. He has collaborated with Hollywood legends such as Alfred Hitchcock, Billy Wilder, Sam Peckinpah, Steven Spielberg, and George Lucas, and worked on such classics as The Empire Strikes Back, Raiders of the Lost Ark, and Return of the Jedi.

  5. But before Kazanjian attained such lofty heights he had already achieved a storied career working with some of Hollywood’s greats. J.W. Rinzler’s Howard Kazanjian: A Producer’s Life charts Kazanjian’s journey from his student days at the University Of Southern California School Of Cinema to the present day.

  6. Howard G. Kazanjian was born on July 26, 1942 in Los Angeles County, California, USA. He is a producer and assistant director, known for Demolition Man (1993), Raiders of the Lost Ark (1981) and Star Wars: Episode VI - Return of the Jedi (1983). He has been married to Carol Anne Eskijian since May 29, 1970.

  7. More American Graffiti is a 1979 American coming-of-age comedy film written and directed by Bill L. Norton, produced by Howard Kazanjian. The film, shot in multiple aspect ratios for comedic and dramatic emphasis, is the sequel to the 1973 film American Graffiti .

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