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  1. Hrishikesh Mukherjee (30 September 1922 – 27 August 2006) was an Indian film director, editor and writer. He is regarded as one of the greatest filmmakers of Indian cinema.

  2. Hrishikesh Mukherjee. Director: Anand. By no means is he any glamorous director, yet Hrishikesh Mukherjee is one of the most popular and beloved filmmakers in Indian cinema. His magic lay not in the glamor or largeness so often associated with cinema, but in its simplicity and warmth.

    • September 30, 1922
    • August 27, 2006
  3. Anand is a 1971 Indian Hindi-language drama film co-written and directed by Hrishikesh Mukherjee, with dialogues written by Gulzar. It stars Rajesh Khanna in the lead role, with a supporting cast including Amitabh Bachchan , Sumita Sanyal , Ramesh Deo and Seema Deo .

  4. Hrishikesh Mukherjee. Director: Anand. By no means is he any glamorous director, yet Hrishikesh Mukherjee is one of the most popular and beloved filmmakers in Indian cinema. His magic lay not in the glamor or largeness so often associated with cinema, but in its simplicity and warmth.

    • January 1, 1
    • Calcutta, Bengal Presidency, British India
    • January 1, 1
    • Mumbai, Maharashtra, India
  5. May 29, 2012 · Hrishikesh Mukherjee was an Indian filmmaker who, in a Bollywood career that spanned more than four decades (1953–98), made some 50 Hindi-language films. Mukherjee began his career as a film editor in Calcutta’s Bengali-language film industry in the 1940s, but he moved to Bombay (now Mumbai) in.

    • The Editors of Encyclopaedia Britannica
  6. Aug 27, 2019 · New Delhi: Born on 30 September, 1922 in Kolkata, filmmaker Hrishikesh Mukherjee studied science and chemistry, and even taught mathematics, before turning to camera work, film editing and eventually directing movies.

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  8. Sep 30, 2022 · At a time when mainstream Hindi cinema was populated by potboilers and formula-driven escapism, Mukherjee carved a niche of his own, telling stories set in grounded, relatable universes with a middle-class ethos. The best of Mukherjee’s films were those that steered away from commercial cinema tropes.

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