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  1. Mar 22, 2019 · Most of “Dragged” is shot in low light, especially the final hour, but Zahler has a great sense of space and blocking, which helps keeps the film engrossing. And he draws a fascinating, world-weary performance from Gibson, who reminds one how good he can be with the right material.

  2. Mar 22, 2019 · Dragged Across Concrete: Directed by S. Craig Zahler. With Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White. Once two overzealous cops get suspended from the force, they must delve into the criminal underworld to get their proper compensation.

    • (55K)
    • Action, Crime, Drama
    • S. Craig Zahler
    • 2019-03-22
  3. Dragged Across Concrete. Dragged Across Concrete is a 2018 American neo-noir [2] crime thriller film written and directed by S. Craig Zahler. It stars an ensemble cast that includes Mel Gibson, Vince Vaughn, Tory Kittles, Michael Jai White, Jennifer Carpenter, Laurie Holden, Fred Melamed, Udo Kier, Thomas Kretschmann, and Don Johnson. The story ...

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  5. Mar 21, 2019 · Director S. Craig Zahler makes movies that drag across the screen. They are nasty, brutish, and long. Of all the skilled, interesting genre auteurs who have emerged at the turn of the 21st century ...

    • Adam Nayman
  6. Apr 14, 2023 · The Real Meaning Of Dragged Across Concrete's Ending. The message of the Dragged Across Concrete ending is the same bleak theme carried by most classic film noir movies: the world is unfair, and justice isn’t always served. Lurasetti is killed by accident despite his efforts to be a good cop. Ridgeman’s family anonymously receives some gold ...

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  7. Mar 19, 2019 · The tone of “Dragged Across Concrete” suggests a faux-Hemingwayesque minimalism without Hemingway’s dandyishness, ambiguity, irony, or sense of vast implication; his movie is all tip and no ...

  8. Mar 20, 2019 · March 20, 2019. A dribbling tear tells you much about “Dragged Across Concrete,” a self-satisfied slow burn of a movie. This salty emanation slides through a slit that a very bad man with a ...

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