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Madonna and Child with Saints. Ludovico Carracci Italian. 1607. On view at The Met Fifth Avenue in Gallery 620. This oil on copper, made for Cardinal Benedetto Giustiniani, epitomizes Ludovico’s mature style: the pose of the Madonna evokes Michelangelo’s sibyls in the Sistine Chapel, while the elegant curves resonate with Parmigianino’s ...
ca. 1587–89. Not on view. Acquired by the Museum in 2002, this dazzling drawing by Lodovico is a recent discovery and the only securely attributed study for his famed early altarpiece for the Bolognese church of San Francesco (now in the Pinacoteca Nazionale, Bologna). In the drawing as in the painting, the use of diagonals that lead into the ...
Artist: Ludovico Carracci (Italian, Bologna 1555–1619 Bologna) Date: ca. 1616. Medium: Oil on canvas. Dimensions: 67 5/8 × 45 11/16 in. (171.8 × 116 cm) Classification: Paintings. Credit Line: Promised Gift of Mark Fisch and Rachel N. Davidson, in celebration of the Museum's 150th Anniversary. Accession Number: L.2020.20.1
Michelangelo di Lodovico Buonarroti Simoni (Italian: [mikeˈlandʒelo di lodoˈviːko ˌbwɔnarˈrɔːti siˈmoːni]; 6 March 1475 – 18 February 1564), known mononymously as Michelangelo (English: / ˌ m aɪ k əl ˈ æ n dʒ ə l oʊ, ˌ m ɪ k-/), was an Italian sculptor, painter, architect, and poet of the High Renaissance.
Michelangelo's most seminal pieces: the massive painting of the biblical narratives on the Sistine Chapel ceiling, the 17-foot-tall and anatomically flawless David, and the heartbreakingly genuine Pietà, are considered some of the greatest achievements in human history. Tourists flock to Rome and Florence to stand before them.
- Italian
- Caprese, Arezzo, Florence
His painting of ‘The Last Judgment’ on the altar wall of Sistine Chapel is considered a masterpiece. Michelangelo was the greatest artist of his time and his name has become synonymous with the best of the Italian Renaissance. Image Credit. Birthday: March 6, 1475 ( Pisces) Born In: Caprese Michelangelo, Italy. Poets #57. Sculptors #1.
Sep 12, 2022 · That mask is widely considered to be a a self-portrait of Michelangelo. And so I argued that Pan’s face also displays a satirical self-portrait of Michelangelo, probably not the effort of a copyist. Here I will examine a second drawing, a red-chalk sheet by Michelangelo now in Frankfurt’s Städel Museum.
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