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  1. Nov 4, 2020 · The story of how the artists Lucy Schwob and Suzanne Malherbe—better known by their alter egos Claude Cahun and Marcel Moore—outfoxed the German invaders of the British Channel island of ...

  2. Feb 12, 2019 · The story of French artists Claude Cahun and Marcel Moore—neé Lucy Schwob and Suzanne Malherbe—is long and rich enough to fill multiple exhibitions, or multiple volumes. But here’s the abridged version: They met as teenagers in 1909 and were inseparable until Cahun’s death in 1954. In the intervening years, Cahun and Moore moved to ...

  3. Jul 21, 2014 · Claude Cahun is barely recognizable in “Self-Portrait”: Childlike despite her dark hair, makeup and high-heels, she stands in stark contrast to the light tapestry behind her. Looking at her audience, she poses with caped arm raised to display various masks. For Cahun, identity is always a mask — necessarily strange and ambiguous; her ...

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    Born Lucy Schwob in Nantes, France, Claude Cahun adopted her new name to proclaim her androgyny and to pursue work in photography, performance art and writing. Her parents were successful writers which provided her with the support to live without working for income. She met her life companion in 1909. Suanne Malherbe, better known as Marcel Moore ...

    Cahun and Moore lived in Paris from 1919 to 1937. They worked in the surrealist art movement. They used their unique, at the time, take on sexuality and gender identity as subjects for their photography and writing. As Hitler came to power, the couple moved to St Brelade’s Bay in the Balliwick of Jersey on the coast of France for the duration of Ge...

    Claude Cahun’s main body of work features herself as the subject of numerous “autoportraits.” The opening photo shows Claude’s self-portraiture over a period of 27 years. Top row, L-R, the photos were made in these years respectively: 1929, 1932, 1920, 1945. Bottom row, L-R, 1928, 1928, 1928, 1928, 1947. Each one has a different style, look and mea...

    Claude Cahun never promoted her work or sold it. Since she and Moore were independent financially, their collaboration was for self expression. Long after her death in the 1990s, her work received a lot of attention. A New York curator and critic of photography, Vince Aletti said her work “Suddenly seemed incredibly of the moment.” A museum in Pari...

    In 2018 Paris’ city council named a street in the French capital’s sixth district that includes its Latin Quarter, Allée Claude Cahun et Marcel Moore. According to Jersey Heritage, a newspaper in the Balliwick of Jersey a channel island off the coast of France, “It is only right that both Claude Cahun and Marcel Moore have been recognized together,...

    Claude Cahun died in 1954. Marcel Moore died in 1972. They are buried together in the churchyard next to their home. They share a tombstone engraved with their birth names and a pair of Stars of David. Sources: Lens: New York Times, Project Muse, New York Times, Jersey Evening Post. Inspirational photographers’ stories are in On Photography.

    • Kevin Ames
  4. Born Lucy Schwob, the French photographer, sculptor, and writer adopted the gender-ambiguous name Claude Cahun in 1917. She is best known for her self-portraits in which she assumes a variety of personas, including dandy, weight lifter, aviator, and doll. In this image, Cahun has shaved her head and is dressed in men’s clothing.

  5. Picasso’s sizable oeuvre grew to include over 20,000 paintings, prints, drawings, sculptures,ceramics, theater sets, and costume designs. He painted his most famous work, Guernica (1937), in response to the Spanish Civil War; the totemic grisaille canvas remains a definitive work of anti-war art. At auction, a number of Picasso’s paintings ...

  6. Jun 15, 2017 · Another photo of Cahun called Untitled (Cahun as Soldier Without a Name) was a collaboration between Cahun and Moore — Cahun wears traditional menswear, holding a small skull in the palm of her hand and a cigarette in her mouth. She cocks an eyebrow at the camera and stands next to floral scenery, both embracing and rejecting femininity.

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