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Michael Arndt talks with Jordan Carlos about his free, tutorial film, ENDINGS: THE GOOD, THE BAD, AND THE INSANELY GREAT. In the video, the Academy Award winning screenwriter explores how great endings work with a close analysis of the climaxes of STAR WARS, THE GRADUATE, and his own screenplay, LITTLE MISS SUNSHINE.
Download. Share. Upload, livestream, and create your own videos, all in HD. This is "Endings: The Good, the Bad, and the Insanely Great" by Pandemonium on Vimeo, the home for high quality videos and the people who love them.
- 90 min
- 102.8K
- Pandemonium
Oct 8, 2016 · While we’re on the subject of beginnings, let me toss out this idea: The story’s ending is implied in its beginning. I call it the narrative imperative . When you reach the ending of a story and it feels emotionally satisfying, that means it has been set up well in the beginning.
Beginnings Endings Endings Addendum TS3: Mistakes Made, Lessons Learned TS3: Introduction TS3: Opening TS3: Inciting Incident TS3: First Act Break TS3: Midpoint TS3: Second Act Break TS3: Climax TS3: Summary Beyond Orwell
Sep 9, 2019 · In July, I shared a video essay by screenwriter Michael Arndt on insanely great story endings. The 90 min presentation is a brilliant excavation of how narrative works, and how crisis and catharsis interweave to create ‘insanely great’ story endings.
Whilst it’s easy (relatively speaking) to identify a great beginning (which is set up well) or ending (which pays off well), it’s not quite as straightforward to pinpoint what makes for a high-quality ‘middle’. Michael advised that a clear sense of direction and momentum is most important.
Jan 20, 2015 · I’m currently teaching a one-week session of my Pixar and the Craft of Storytelling class and one of the writers in the class — Kenny — surfaced this video from Michael Arndt, screenwriter of Toy…
