Yahoo Web Search

  1. Ad

    related to: miklos rozsa film scores

Search results

  1. Pages in category "Films scored by Miklós Rózsa". The following 90 pages are in this category, out of 90 total. This list may not reflect recent changes .

    • Ben-Hur
    • The Thief of Bagdad
    • The Lost Weekend
    • Spellbound
    • A Double Life
    • El CID
    • The Four Feathers
    • Recordings
    • GeneratedCaptionsTabForHeroSec

    A sweeping score for a film of epic proportions, this music is filled with Roman, Greek, and Jewish elements. Rózsa conducted the 100-piece MGM Symphony Orchestra during twelve recording sessions which stretched over 72 hours. The biblical drama unfolds with a myriad of themes and the reinforcement of a mighty pipe organ underscoring the appearance...

    This magical Technicolor Arabian fantasy film vaulted Rózsa to prominence as a composer. Filled with leitmotifs, the score has been described as “foreground rather than background music.” Here is the beautiful and expansive love theme:

    Miklós Rózsa’s concert music is filled with Hungarian folk elements. At moments, these sounds emerge in the score for this psychological drama, directed by Billy Wilder and starring Ray Milland and Jane Wyman. (4:08 in the clip below may remind you of Bartók’s hellish The Miraculous Mandarin). When the film was previewed with a temporary soundtrack...

    Rózsa’s distinctive film noir style is equally evident in the music for this psychological mystery thriller, directed by Alfred Hitchcock. Rózsa once said, “Alfred Hitchcock didn’t like the music—said it got in the way of his direction. I haven’t seen him since.” (Interestingly, Hitchcock also resisted the use of music in the shower scene of Psycho...

    This dark film noir drama, starring Ronald Colman, tells the story of an actor’s descent into insanity. His “double life” is a blur between reality and the imaginary roles he plays on stage. This duality is evident throughout Rózsa’s Academy Award-winning score. The bustling forward motion in this excerpt seems to anticipate the quirkiness of some ...

    The lamenting beauty and far-off, exotic mystery of medieval Spain can be heard in this haunting love theme. In preparation for the score, Rózsa researched Spanish folk music and made use of the guitar and tambourine. It would be the composer’s final film score to be created under MGM contract.

    This British Technicolor adventure film, directed by Zoltan Korda, is one of Rózsa’s earliest scores. Chronicling British military adventures in Africa during the reign of Queen Victoria, the story revolves around a man who is accused of cowardice after resigning on the eve of his regiment’s departure. This excerpt (Sunstroke and River Journey) beg...

    Ben-Hur (complete film score), Nic Raine, The City of Prague Philharmonic Orchestra and Chorus Amazon
    Miklós Rózsa: A Centenary Celebration Amazon
    Miklós Rózsa Conducts His Epic Film Scores Amazon
    A Double Life (Suite from the Film) Amazon

    Learn about the life and work of the Hungarian-born composer who scored nearly 100 films, including Ben-Hur, Spellbound, and El Cid. Listen to excerpts from his epic, romantic, and psychological music for the silver screen.

  2. Rózsa achieved early success in Europe with his orchestral Theme, Variations, and Finale (Op. 13) of 1933, and became prominent in the film industry from such early scores as The Four Feathers (1939) and The Thief of Bagdad (1940).

  3. Jan 1, 2022 · Miklós Rózsa – Spellbound – The Classic Film Scores Of Miklós Rózsa (1975) – Charles Gerhardt With The National Philharmonic Orchestra. Classic Soundtracks & Cover Versions. 15 videos...

  4. The very best film scores from top Hungarian composer Miklós Rózsa. Buy the CD's of Miklós Rózsa!

    • 10 min
    • 116.4K
    • benydebney
  5. Jan 29, 2022 · Miklós Rózsa – Double Indemnity (1944) – Film Score (Suite) – James Sedares With The New Zealand Symphony Orchestra (1997) Classic Soundtracks & Cover Versions. 3 videos 21 views Last ...

  6. People also ask

  7. Few composers have managed to convey suspense and tension as powerfully as Rózsa with his eerily haunting scores for some of the Golden Era's best films noir ( Double Indemnity (1944), The Strange Love of Martha Ivers (1946), The Killers (1946), The Naked City (1948)) or his lush, stirring music for spectacular epics ( Quo Vadis (1951), Ivanhoe ...

  1. People also search for