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Apr 18, 2018 · Throughout the ages, Bazin argues, mankind has dreamed of being able to see the surface of the world faithfully copied in art (The Ontology of the Photographic Image, 1945). Bazin ascribes this wish to what he calls the “mummy complex” – an innate human need to halt the ceaseless flow of time by embalming it in an image.
Apr 4, 2017 · The hypostasized counterpart of the ‘mummy complex’ of Ancient Egypt, which Bazin had argued lay behind the filmic impulse in general, turns into the literal mummification of Lenin, which prepares the ground for the consecration of History in Stalin; and the asymptote principle of film history, by which film technology and style approach ...
- Feroz Hassan
- 2017
the essay, like an axiom of axioms. Later in the essay, Bazin claims that the inven-tion of photography was “the most important event in the history of the plastic arts,” which only makes sense in light of the potential “mummy complex” introduced in at the beginning. Bazin elaborates his entire argument within the state of virtual being
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Bazin argues, mankind has dreamed of being able to see the surface of the world faithfully copied in art (see “The Ontology of the Photographic Image,” 1945). He ascribes this wish to what he calls the “mummy complex”—an innate human need to halt the ceaseless flow of time by embalming it in an image.
Abstract. This article focuses on objectivity and duration as main features of the realistic understanding of cinema defended by André Bazin. In so doing, it establishes a dialogue between...
When, in 1945, Andre Bazin asked himself "What is Cinema?" he proposed in reply that at the origin of all the plastic arts might be a "mummy complex," a fundamental psychical human need to reverse the finality of death.' Egyptian embalmment, he argued, was merely the earliest instance of an essential human
Sep 9, 2023 · Sep 9. Written By Haleigh Dixon. André Bazin argues that the compulsion to create art rests in the desire to replicate reality in our ideal form. He explains that humans have a “mummy complex,” which compels us to capture our physical vessels in images.