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Apr 18, 2018 · Bazin ascribes this wish to what he calls the “mummy complex” – an innate human need to halt the ceaseless flow of time by embalming it in an image. But it wasn’t until the development of photography in the nineteenth century that this appetite for the real could be fully satisfied.
When, in 1945, Andre Bazin asked himself "What is Cinema?" he proposed in reply that at the origin of all the plastic arts might be a "mummy complex," a fundamental psychical human need to reverse the finality of death.' Egyptian embalmment, he argued, was merely the earliest instance of an essential human
Jun 6, 2012 · Bazin ascribes this wish to what he calls the "mummy complex" - an innate human need to halt the ceaseless flow of time by embalming it in an image. But it wasn't until the development of photography in the nineteenth century that this appetite for the real could be fully satisfied.
Abstract. This article focuses on objectivity and duration as main features of the realistic understanding of cinema defended by André Bazin. In so doing, it establishes a dialogue between...
Apr 4, 2017 · The hypostasized counterpart of the ‘mummy complex’ of Ancient Egypt, which Bazin had argued lay behind the filmic impulse in general, turns into the literal mummification of Lenin, which prepares the ground for the consecration of History in Stalin; and the asymptote principle of film history, by which film technology and style approach ...
- Feroz Hassan
- 2017
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Bazin argues, mankind has dreamed of being able to see the surface of the world faithfully copied in art (see “The Ontology of the Photographic Image,” 1945). He ascribes this wish to what he calls the “mummy complex”—an innate human need to halt the ceaseless flow of time by embalming it in an image.
the essay, like an axiom of axioms. Later in the essay, Bazin claims that the inven-tion of photography was “the most important event in the history of the plastic arts,” which only makes sense in light of the potential “mummy complex” introduced in at the beginning. Bazin elaborates his entire argument within the state of virtual being
