Albert Dieudonné
Napoléon Bonaparte
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Language. Silent film with intertitles. Box office. $2.5 million (1981 reissue) [1] Napoléon is a 1927 French silent epic historical film, produced, and directed by Abel Gance that tells the story of Napoleon 's early years. It is also the only film to use Polyvision (for the finale).
The film details the early life of Napoleon Bonaparte (Albert Dieudonne), from his unpleasant childhood in boarding school to his early military life during the French Revolution and the subsequent Reign of Terror, through to his first military victories and marriage to Josephine (Gina Manes).
- (8.8K)
- Biography, Drama, History
- Abel Gance
- 1929-02-17
Napoléon is a 1927 French silent epic historical film, produced, and directed by Abel Gance that tells the story of Napoleon 's early years. It is also the only film to use Polyvision (for the finale). On screen, the title is Napoléon vu par Abel Gance, meaning "Napoleon as seen by Abel Gance".
Napoléon, ou Napoléon vu par Abel Gance, est un film historique français écrit et réalisé par Abel Gance, sorti en 1927 . Étant l'un des derniers films muets sorti quelques mois avant l'apparition du cinéma parlant, ce film est considéré comme un chef-d'œuvre du cinéma mondial.
- Albert DieudonnéAntonin ArtaudGina Manès
- Abel Gance
- France
- Abel Gance
Nov 22, 2023 · Abel Gance’s silent masterpiece Napoleon (1927) exceeds the parameters of virtually every aspect of film culture. In the 1920s, its temporal gigantism horrified producers and its aesthetic invention flustered critics; today, the film’s dimensions pose monumental challenges for restoration and exhibition – let alone evaluation.
Napoléon vu par Abel Gance premiered at the Opéra Garnier in Paris on 7th April 1927, in a massively cut-down version that ran to just over four hours, with a score composed by Arthur Honegger. This included the famous triptych finale described in more detail below.
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This epic silent film, which was shown first in Paris in 1927 with Charles De Gaulle sitting attentively in the audience, very nearly was lost forever. Made just at the end of the silent film era, it was hailed as a masterpiece but dismissed by exhibitors as too long, too impractical to be shown.
