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  1. The New Palazzo del Cinema al Lido di Venezia. Carlo Aymonino, Mario Botta Architetti, Sverre Fehn, Hentrup-Heyers-Stirling, Steven Holl, Fumihiko Maki, Rafael Moneo, Jean Nouvel, Aldo Rossi, Oswald Mathias Ungers. venue. Arsenale.

  2. Aug 30, 2023 · The competition for a new Palazzo del Cinema in Venice As the 80th Venice International Film Festival opens at the Lido, we return through Domus archive to 1991, when the projects nominated to give the Festival, for the first time, a completely new home were published.

  3. architecture-history.org › architects › architectsSTEVEN HOLL

    Selected for the Palazzo del Cinema Com- petition (Venice, 1990) and the Museum of Modern Art Expan- sion Competition (New York City, 1989). Married Janet Olmsted Cross 1992, divorced 1997. (Also an architect, Cross worked in the office from 1990-1997 and worked closely with Holl on projects.) Married Solange Sabiao, 1999.

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  5. Venues. Palazzo del Cinema. LUNGOMARE MARCONI. 30126 LIDO DI VENEZIA. TEL. +39 0415218711. info@labiennale.org. Share this page on. The Palazzo del Cinema on the Lido di Venezia is the main headquarters for the Venice International Film Festival.

  6. The New Palazzo del Cinema at Lido di Venezia. Progetto per il palazzo del cinema. 4. Architect: Steven Holl. Coauthor: Stephen Cassel, Peter Lynch. Spolupráce: Janet Cross, Thomas Jenkinson, Jun Kim, Lucinda Knox, William Wilson. Address: Lido di Venezia, Venice , Italy. Web: www.labiennale.org/it/luoghi/palazzo-del-cinema.

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  7. May 31, 2018 · Competition for the Palazzo del Cinema in Venice, 1990–91 In the panels presented at the Venice Lido competition (Fig. 5 ), the complete form of the project is on show for the first time. We can affirm that the graphic process is fixed from the first drawings, limited concept, associated diagram, views with partial framing, model, development ...

  8. The domineering presence of the Casino Excelsior Hotel, which separates the Palazzo from the Casino, reinforces such frontal character. The cinemas are designed in conformity with well-known types. The screen is the most impor­tant feature of a cinema, and in both cases the space builds around it.

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