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  1. Paul Morrissey

    Paul Morrissey

    American film director

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  1. Paul Morrissey (born February 23, 1938) is an American film director, known for his early association with Andy Warhol. His most famous films include Flesh (1968 film) , Trash (1970), Heat (1972 film) , Flesh For Frankenstein (1973) and Blood for Dracula (1974), all starring Joe Dallesandro , and the 80’s New York trilogy Forty Deuce (1982 ...

    • February 23, 1938 (age 85), New York City, U.S.
    • Filmmaker
  2. Paul Morrissey is an American filmmaker who worked with Andy Warhol and the Velvet Underground in the 1960s and 1970s. He directed cult classics such as Flesh, Trash, Blood for Dracula and Heat, and wrote and shot many of them.

    • January 1, 1
    • 3 min
    • New York City, New York, USA
  3. Feb 22, 2020 · Sam Weisberg talks to Paul Morrissey, the director of Flesh, Trash, and Heat, who collaborated with Andy Warhol and made raw, sardonic comedies. Morrissey reveals his conservative views, his disdain for hippies and rock music, and his love for his transsexual actors.

  4. Paul Morrissey is a film director who worked with Andy Warhol and the Velvet Underground in the 1960s and 1970s. He made cult classics such as Flesh, Trash and Blood for Dracula, and remained independent of Hollywood.

    • February 23, 1938
  5. Feb 13, 2009 · Paul Morrissey, the director of Flesh for Frankenstein and Blood for Dracula, shares his favorite films of all time, from Richard III to The Earrings of Madame de . . .

  6. Apr 1, 2024 · Learn about the visionary filmmaker behind Flesh, Chelsea Girls, and My Hustler, who collaborated with Andy Warhol and created a new set of teen idols. Michael Chaiken, who works on Paul Morrissey's archive, shares his insights and stories over lunch with Mel Ottenberg.

  7. Conversation with Paul Morrissey (Part I) Posted December 29, 2021. From Oui (March 1975). I no longer recall whether or not the editors changed the wording of some of my questions; I suspect that in many cases they did. Because of the length of this interview, I’m posting it in two parts. -– J.R.

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