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The paper started out with a hypothetical opposition between Morrison’s concept of rememory and Hirsch’s concept of postmemory, a reenactment and remediation, respectively, to argue that rememory in Morrison’s Beloved (1987) involves not only reenactment of transgenerational memories but also the reworking and remediation of ...
cursive space, the space of a uniquely feminine voice or writing style. This style derives from what critics argue to be women's special access. to the pre-oedipal relationship with their mothers, before the imposition, in language, of the law of the father. Author's Note: Quotes in this chapter from Toni Morrison's novels Sula and Beloved are.
REMEMORY, DREAM MEMORY, AND REVISION IN TONI MORRISON'S BELOVED AND ALICE WALKER'S THE TEMPLE OF MY FAMILIAR By Madelyn Jablon Theorists and critics of African-American literature have identified revision as an important trope in black fiction. One of the earliest and most important of such studies is From Behind the Veil: A Study of Afro ...
Toni Morrison's Beloved: History, "Rememory," and a "Clamor for a Kiss" Caroline Rody i am accused of tending to the past as if i made it, as if i sculpted it with my own hands. i did not. the past was waiting for me when i came, a monstrous unnamed baby, and i with my mother's itch took it to breast and named it History. she is more human now,
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Aug 8, 2020 · In this article, I examine how Toni Morrison and Gisèle Pineau provide timely pieces against the historical amnesia characteristic of post-racial discourse in the USA and in France. Studying Morrison’s God Help the Child (2015) and Pineau’s Femmes des Antilles: Traces et Voix (1998) side by side reveals how Morrison’s rememory is a ...
The paper’s theoretical bases are found in New Historicism and Motherism, with Toni Morrison’s “rememory” serving as a critical narrative strategy for a systematic recollection and ...
