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Richard Strauss in 1910. Der Rosenkavalier (The Knight of the Rose or The Rose-Bearer), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from Louvet de Couvrai's novel Les amours du chevalier de Faublas and Molière's comedy Monsieur de Pourceaugnac.
- German
- 26 January 1911, Königliches Opernhaus, Dresden
Der Rosenkavalier, comic opera in three acts by German composer Richard Strauss (German libretto by Austrian dramatist Hugo von Hofmannsthal) that premiered at the Dresden Royal Opera House on January 26, 1911. Hofmannsthal had written the play upon which Strauss based Elektra, but Der
- Betsy Schwarm
Jan 9, 2010. Composer. Richard Strauss. Librettist. Hugo von Hofmannsthal. Run Time. 3 HRS 18 MIN. The Metropolitan Opera Orchestra and Chorus. Cast & Creative. Conductor. Edo de Waart.
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Mar 14, 2022 · RIPHIL • Mar 14, 2022. Share. On March 19, Bramwell Tovey and the Rhode Island Philharmonic Orchestra will present Grieg's Piano Concerto with pianist Joyce Yang. THE STORY BEHIND: Strauss's Suite from Der Rosenkavalier. Title: Der Rosenkavalier, TrV 227d, op.59: Suite. Composer: Richard Strauss (1864-1949)
Jul 19, 2014 · Sat 19 Jul 2014 03.30 EDT. Der Rosenkavalier represents the apogee of Richard Strauss's popularity, and perhaps of his life. He had a deep affection for it, a profound identification with it; in ...
Sep 15, 2020 · DER ROSENKAVALIER by Richard Strauss – the opera guide and synopsis. Online opera guide and synopsis to Strauss’ DER ROSENKAVALIER. The Rosenkavalier offers music lovers two of the most sublime scenes in the entire opera literature. The presentation of the silver rose and the closing scene are to be mentioned.
Der Rosenkavalier (Op. 59) (The Knight of the Rose) is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel Les amours du chevalier de Faublas by Louvet de Couvrai and Molière's comedy Monsieur de Pourceaugnac.
