Search results
Alex North (born Isadore Soifer, December 4, 1910 – September 8, 1991) was an American composer best known for his many film scores, including A Streetcar Named Desire (one of the first jazz-based film scores), Viva Zapata!, Spartacus, Cleopatra, and Who's Afraid of Virginia Woolf?
- Music Division, Library of Congress
A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams's Pulitzer Prize-winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden.
People also ask
Did Alex North score A Streetcar Named Desire?
Is A Streetcar Named Desire based on a true story?
Who starred in A Streetcar Named Desire?
Was A Streetcar Named Desire based on jazz?
A Streetcar Named Desire is one of the most critically acclaimed plays of the 20th century and Williams's most popular work. It still ranks among his most performed plays, and has inspired many adaptations in other forms, notably a critically acclaimed film that was released in 1951.
- Tennessee Williams
- 1947
A Streetcar Named Desire: Directed by Elia Kazan. With Vivien Leigh, Marlon Brando, Kim Hunter, Karl Malden. Disturbed Blanche DuBois moves in with her sister in New Orleans and is tormented by her brutish brother-in-law while her reality crumbles around her.
Oct 20, 2021 · Praise for Alex North’s Oscar-nominated score for Elian Kazan’s A Streetcar Named Desire (1951) from Miles Davis no less. The quote comes from an interview in Downbeat published four years after the release of the film.
A Streetcar Named Desire depicts a culture clash between Blanche DuBois (Vivien Leigh), a pretentious, fading relic of the Old South, and Stanley Kowalski (Marlon Brando), a rising member of the industrial, inner-city immigrant class. Blanche is a Southern belle whose pretensions to virtue and culture only thinly mask her nymphomania and ...
May 13, 2024 · A Streetcar Named Desire, play in three acts by Tennessee Williams, first produced and published in 1947 and winner of the Pulitzer Prize for drama for that year. One of the most admired plays of its time, it concerns the mental and moral disintegration and ultimate ruin of Blanche DuBois, a former.
