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Synthetism is a term used by post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism, and later to Symbolism. [1]
A synthetic language is a language that is statistically characterized by a higher morpheme-to-word ratio. Rule-wise, a synthetic language is characterized by denoting syntactic relationship between the words via inflection and agglutination, dividing them into fusional or agglutinating subtypes of word synthesis.
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Synthetism is an artistic method that emerged in the 1880s, primarily associated with artists like Paul Gauguin, Émile Bernard, and Louis Anquetin. It was a departure from Impressionist art and theory, focusing on creating two-dimensional flat patterns.
Syntheism is the belief that the classic division between theism and atheism in theology has become redundant and must be overcome to fulfill contemporary and future spiritual needs. This requires the acknowledgement that all metaphysical beliefs center on a divinity or focal point which is man-made.
Synthetism, in art, method of painting evolved by Paul Gauguin, Émile Bernard, Louis Anquetin, and others in the 1880s to emphasize two-dimensional flat patterns, thus breaking with Impressionist art and theory. The style shows a conscious effort to work less directly from nature and to rely more.
- The Editors of Encyclopaedia Britannica
Syntheism is a belief system that considers the traditional division between theism and atheism in theology as outdated and no longer relevant for fulfilling contemporary and future spiritual needs.
The term "Synthétisme" comes from the French verb synthétiser and is based on the idea that art should be a synthesis of three characteristics: the outward appearance of natural forms, the...
