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1. www.youtube.com › watchTapestry Films logo [Cinemascope] - YouTube

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   May 1, 2020 · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

   • Video Duration: 14 sec
   • Views: 1331

   • Author: Nico Gazzillo

2. en.wikipedia.org › wiki › CinemaScopeCinemaScope - Wikipedia

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   CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.

3. People also ask

   What movies were filmed in CinemaScope?

   • What Is CinemaScope? CinemaScope is a widescreen process that was used in the 1950s and early 1960s, before being supplanted by others such as Panavision. Many classic films were shot in CinemaScope, including The Robe (1953), The Ten Commandments (1956), South Pacific (1958), Ben-Hur (1959), and How the West Was Won (1962).

   What Is CinemaScope? Definition, History & Theory [With Examples]

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   What is a CinemaScope lens?

   • The anamorphic lens is often referred to as the “Cinemascope lens.” Its unique design allows for the horizontal compression of the image during filming, effectively “squeezing” it onto the film negative. This compression is a key component of Cinemascope’s distinctive widescreen aspect ratio, which typically hovers around 2.35:1.

   Cinemascope - The Allure of Panoramic Film - artincontext.org

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   Are CinemaScope films filmed with Franscope lenses?

   • In France and Spain there were licensed CinemaScope films shot with Franscope (originally known as Cinepanoramic) lenses, and S.T.O.P., Henri Chretien's company. Oh Rosalinda!

   Widescreen Museum - CinemaScope Filmography

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   Does Hairspray have CinemaScope?

   • A reference to CinemaScope was included during the end credits of the 2015 "Signature Edition" re-release. In the 1988 film Hairspray and the 2007 remake, there are references to CinemaScope. In both instances, they are comments made in regard to Tracy Turnblad's weight, implying that she's too big to be seen on a television screen.

   CinemaScope - Wikipedia

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4. artincontext.org › cinemascopeCinemascope - The Allure of Panoramic Film - artincontext.org

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   Nov 23, 2023 · When used thoughtfully and creatively, Cinemascope can elevate cinematic storytelling to new heights, leaving an enduring mark on the history of film. Its pros and cons are not merely technical considerations but elements that contribute to the rich and diverse tapestry of cinematic artistry.

   • What Is Cinemascope?

     Cinemascope, also known as anamorphic widescreen, is a cinematic format that utilizes anamorphic lenses to capture a wider field of view on standar...
   • Why Was Cinemascope Developed?

     Cinemascope was developed in response to the rising popularity of television in the early 1950s, which posed significant challenges to the film ind...
   • How Does Cinemascope Enhance the Visual Storytelling of a Film?

     Cinemascope enhances visual storytelling by offering a wider canvas for filmmakers to work with. The expanded frame allows for dynamic shot composi...

5. www.bfi.org.uk › lists › 10-great-films-shot-cinemascope10 great films shot in CinemaScope | BFI

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   • Violent Saturday (1955) Director: Richard Fleischer. Everyone has something to hide in Richard Fleischer’s simmering study of smalltown America, which was adapted by Sydney Boehm from a William L. Heath story that originally appeared in Cosmopolitan.
   • Lady and the Tramp (1955) Directors: Clyde Geronimi, Wilfred Jackson and Hamilton Luske. Walt Disney was among the first to licence CinemaScope from Fox and he experimented with it on the Oscar-winning cartoon Toot, Whistle, Plunk and Boom (1953) before hiring Richard Fleischer to use the format in adapting Jules Verne’s 20,000 Leagues under the Sea (1954) as the studio’s fifth live-action adventure.
   • It’s Always Fair Weather (1955) Directors: Gene Kelly and Stanley Donen. Having danced ‘dream ballets’ in Vincente Minnelli’s An American in Paris (1951) and Singin’ in the Rain (1952), which he co-directed with Stanley Donen, Gene Kelly decided to showcase his contention that dancing was a man’s game in his sole excursion in CinemaScope.
   • Lola Montès (1955) Director: Max Ophüls. Very loosely based on a novel by Cécil Saint-Laurent, Max Ophüls’ swan song was his only picture in Eastmancolor and CinemaScope.

6. www.widescreenmuseum.com › widescreen › cslistWidescreen Museum - CinemaScope Filmography

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   Most of these films were from M-G-M though a number of Columbia films used the new Panavision lenses for their CinemaScope films. Most, if not all of MGM's black & white CinemaScope films were actually shot in a manner virtually identical to Superscope 235. These films will carry a small credit stating, "Process Lenses by Panavision".

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8. saturation.io › blog › what-is-cinemascopeWhat Is Cinemascope - Saturation

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   Delving into the distinctions between Cinemascope and standard projection reveals a stark contrast in how they shape our movie-watching experience: Cinemascope unfurls a tapestry that not only widens the horizon but does so without compromising the film's visual integrity, unlike standard projection which maintains the original aspect ratio ...

9. filmlifestyle.com › what-is-cinemascopeWhat Is CinemaScope? Definition, History & Theory [With Examples]

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   CinemaScope is a widescreen process that was used in the 1950s and early 1960s, before being supplanted by others such as Panavision. Many classic films were shot in CinemaScope, including The Robe (1953), The Ten Commandments (1956), South Pacific (1958), Ben-Hur (1959), and How the West Was Won (1962).