Jay Weidner
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Room 237, not to be confused with the documentary of the same name, was a room in the Overlook Hotel in The Shining. In the book it was called "217". The room was inhabited in the past, by a Lorraine Massey who would usually seduce young bellboys who would visit her room. One time Danny Torrance visited this room after a ball strangely rolled to him from its open doors. Later, he claimed that ...
Jun 12, 2024 · Learn about the history and horror of Room 237 in Stephen King's novel and Stanley Kubrick's film adaptation of The Shining. Discover the real-life inspiration for the room and its ghostly occupant, Lorraine Massey, who haunts the Overlook Hotel.
Jul 30, 2023 · Stanley Kubrick altered the room number from 217 in Stephen King's novel to 237 in his film adaptation of The Shining. The reason was a request from the manager of the hotel where he filmed the exteriors, who wanted to avoid scaring away guests with the infamous room.
Room 237. Room 237 is a 2012 American documentary film directed by Rodney Ascher about interpretations of Stanley Kubrick 's film The Shining (1980) which was adapted from the 1977 novel of the same name by Stephen King. [4] The documentary includes footage from The Shining and other Kubrick films, along with discussions by Kubrick enthusiasts.
Oct 23, 2023 · Who is the ghostly woman that Jack and Danny encounter in room 237 of the Overlook Hotel? Theories suggest she is the mother of the Grady twins, Bob T. Watson's wife or sister, or a victim of sexual abuse. Learn the differences between the novel and the movie versions of The Shining.
Aug 27, 2019 · How Kubrick's adaptation of King's novel creates a nightmare scene that triggers Jack Torrance's descent into madness. Learn how the camera, color, and sound manipulate the audience's fear and expectation in this iconic moment.
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Jan 29, 2012 · Theorists in the documentary “Room 237” believe the Calumet baking powder logo in “The Shining,” top, helps prove that the film concerns American Indians. Warner Brothers Pictures. “Room ...
