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  1. Twelfth Night is a play about desire’s power to override conventions of class, religion, and even gender. Several characters begin the play believing they want one thing, only to have love teach them they actually want something else. Orsino thinks he wants Olivia, until he falls in love with Viola (dressed as Cesario.)

    • Key Facts

      Full title Twelfth Night, or What You Will . Author William...

    • Full Play Summary

      A short summary of William Shakespeare's Twelfth Night. This...

    • Act V: Scene I

      A summary of Act V: Scene i in William Shakespeare's Twelfth...

    • Viola (Cesario) The protagonist of Twelfth Night. An aristocratic woman, she is tossed up on the coast of Illyria by a shipwreck at the beginning of the play and disguises herself as the pageboy, Cesario… read analysis of Viola (Cesario)
    • Orsino. The Duke and ruler of Illyria. At the beginning of the play Orsino is obsessed by his unrequited love for Olivia . However, in the final scene, when Orsino discovers that Cesario is in fact… read analysis of Orsino.
    • Olivia. A beautiful noblewoman in Illyria. At the beginning of the play, she has rejected both Orsino and her ridiculous suitor, Sir Andrew Aguecheek. In mourning for her recently deceased brother, she has vowed not… read analysis of Olivia.
    • Sebastian. Viola's twin brother, whom she believes is lost at sea, and who likewise thinks she's dead. Sebastian is noble and capable of strong, deeply felt emotion, just like his sister.
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    • Viola
    • Orsino
    • Olivia
    • Sebastian
    • Malvolio
    • Feste
    • Sir Toby
    • Maria
    • Sir Andrew Aguecheek
    • Antonio

    A young woman of aristocratic birth, and the play’s protagonist. Washed up on the shore of Illyria when her ship is wrecked in a storm, Viola decides to make her own way in the world. She disguises herself as a young man, calling herself "Cesario," and becomes a page to Duke Orsino. She ends up falling in love with Orsino—even as Olivia, the woman ...

    A powerful nobleman in the country of Illyria. Orsino is lovesick for the beautiful Lady Olivia, but becomes more and more fond of his handsome new page boy, Cesario, who is actually a woman—Viola. Orsino is a vehicle through which the play explores the absurdity of love: a supreme egotist, Orsino mopes around complaining how heartsick he is over O...

    A wealthy, beautiful, and noble Illyrian lady, Olivia is courted by Orsino and Sir Andrew Aguecheek, but to each of them she insists that she is in mourning for her brother, who has recently died, and will not marry for seven years. She and Orsino are similar characters in that each seems to enjoy wallowing in his or her own misery. Viola’s arrival...

    Viola’s lost twin brother. When he arrives in Illyria, traveling with Antonio, his close friend and protector, Sebastian discovers that many people think that they know him. Furthermore, the beautiful Lady Olivia, whom he has never met, wants to marry him. Sebastian is not as well rounded a character as his sister. He seems to exist to take on the ...

    The straitlaced steward—or head servant—in the household of Lady Olivia. Malvolio is very efficient but also very self-righteous, and he has a poor opinion of drinking, singing, and fun. His priggishness and haughty attitude earn him the enmity of Sir Toby, Sir Andrew, and Maria, who play a cruel trick on him, making him believe that Olivia is in l...

    The clown, or fool, of Olivia’s household, Feste moves between Olivia’s and Orsino’s homes. He earns his living by making pointed jokes, singing old songs, being generally witty, and offering good advice cloaked under a layer of foolishness. In spite of being a professional fool, Feste often seems the wisest character in the play.

    Olivia’s uncle. Olivia lets Sir Toby Belch live with her, but she does not approve of his rowdy behavior, practical jokes, heavy drinking, late-night carousing, or friends (specifically the idiotic Sir Andrew). Sir Toby also earns the ire of Malvolio. But Sir Toby has an ally, and eventually a mate, in Olivia’s sharp-witted waiting-gentlewoman, Mar...

    Olivia’s clever, daring young waiting-gentlewoman. Maria is remarkably similar to her antagonist, Malvolio, who harbors aspirations of rising in the world through marriage. But Maria succeeds where Malvolio fails—perhaps because she is a woman, but, more likely, because she is more in tune than Malvolio with the anarchic, topsy-turvy spirit that an...

    A friend of Sir Toby’s. Sir Andrew Aguecheek attempts to court Olivia, but he doesn’t stand a chance. He thinks that he is witty, brave, young, and good at languages and dancing, but he is actually an idiot.

    A man who rescues Sebastian after his shipwreck. Antonio has become very fond of Sebastian, caring for him, accompanying him to Illyria, and furnishing him with money—all because of a love so strong that it seems to be romantic in nature. Antonio’s attraction to Sebastian, however, never bears fruit. Despite the ambiguous and shifting gender roles ...

  3. Twelfth Night's important quotes, sortable by theme, character, or scene. Twelfth Night: Characters Description, analysis, and timelines for Twelfth Night 's characters.

  4. knight that you brought in one night here to be her wooer. 130; Sir Toby Belch. Who, Sir Andrew Aguecheek? Maria. Ay, he. Sir Toby Belch. He's as tall a man as any's in Illyria. Maria. What's that to the purpose? Sir Toby Belch. Why, he has three thousand ducats a year. 135; Maria. Ay, but he'll have but a year in all these ducats:

  5. Learn more about the characters of Viola, Orsino, Olivia and Malvolio with photo galleries and study grids to complete. We explore key questions for each character and link to further analysis of their language.

  6. Jul 26, 2020 · Twelfth Night is the ninth in a series of comedies Shakespeare wrote during the 1590s that includes The Comedy of Errors, The Taming of the Shrew, A Midsummer Night’s Dream, The Merchant of Venice, and As You Like It and is a masterful synthesis of them all, unsurpassed in the artistry of its execution. In recognizing the barriers to love it ...

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