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  1. Awards. NBR Award for Best Actor. 1958 Wild Strawberries. Victor David Sjöström ( Swedish: [ˈvɪ̌kːtɔr ˈɧø̂ːstrœm] ⓘ; 20 September 1879 – 3 January 1960), also known in the United States as Victor Seastrom, was a pioneering Swedish film director, screenwriter, and actor. He began his career in Sweden, before moving to Hollywood ...

  2. May 25, 2010 · The Wind. 1928. USA. Directed by Victor Seastrom. Acquired from MGM. These notes accompany the screening of The Wind, May 26, 27, and 28 in Theater 3. As we draw toward the end of the silent period, I recognize that Victor Sjöström (1879–1960)—”Victor Seastrom” during his MGM years—has been somewhat neglected in this series.

  3. Sep 29, 2017 · Victor Seastrom re-incarnated Renaissance art in Love’s Crucible, scene after scene of which remains an unforgettable memory (44). Viewing Vem dömer as if it were a living painting is indeed an effective strategy for analyzing the film, as indeed by extension for European tableau cinema of the 1910s and 1920s.

  4. Victor Sjöström (1879-1960), or Victor Seastrom as he was known during his Hollywood career, was undoubtedly one of the most renowned silent film directors. Focusing on his masterpieces such as 'The Scarlet Letter' and 'The Wind', but also including films he had made in Sweden before moving to Hollywood, as well as film fragments and films considered lost, Florin analyses Sjöström's ...

  5. His last name Americanized to Seastrom, the director turned out such praiseworthy MGM efforts as Lon Chaney's He Who Gets Slapped (1924) and The Tower of Lies (1925), Lillian Gish's The Scarlet Letter (1926) and The Wind (1928), and Greta Garbo's The Divine Woman (1928).

    • September 20, 1879
    • January 3, 1960
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  7. The Wind (1928) by Victor Sjöström. The Wind is a 1928 American synchronized sound romantic drama film directed by Victor Sjöström. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.

  8. As we draw toward the end of the silent period, I recognize that Victor Sjöström (1879–1960)—”Victor Seastrom” during his MGM years—has been somewhat neglected in this series. We did show his early Ingeborg Holm (1913), and several clips appeared in the documentary Swedish Cinema Classics , but that is insufficient for a full ...

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