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    • The Cure. 3,369 votes. With a distinctive blend of gothic and post-punk influences, this English band gained a devoted following for their moody, atmospheric sound and introspective lyrics.
    • Depeche Mode. 3,341 votes. Emerging from the UK synth-pop scene, this innovative group took electronic music to new heights with their pioneering use of sampling and dark, brooding lyrics.
    • New Order. 2,963 votes. Formed from the ashes of Joy Division, this seminal British act seamlessly melded post-punk sensibilities with cutting-edge dance beats to create a groundbreaking fusion of rock and electronica.
    • Blondie. 2,288 votes. Led by the iconic Debbie Harry, this New York-based group effortlessly fused punk attitude with danceable beats and catchy melodies to create an irresistible blend that took the world by storm.
  1. Jun 8, 2021 · New Wave Music: The History and Bands of New Wave Music. Written by MasterClass. Last updated: Jun 8, 2021 • 3 min read. While much of 1960s and 1970s rock music bore the heavy influence of the blues, the new wave movement took a different route. While much of 1960s and 1970s rock music bore the heavy influence of the blues, the new wave ...

  2. Surf music, of course, was all about waves. “Catch a wave,” the Beach Boys sang back in 1963 when they were the hot new thing in rock ’n’ roll, “and you’re sitting on top of the world ...

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    • Everybody Wants to Rule The World – Tears For Fears
    • Tainted Love – Soft Cell
    • Don’T You Want Me – The Human League
    • Burning Down The House – Talking Heads
    • Don’T You (Forget About Me) – Simple Minds
    • Always Something There to Remind Me – Naked Eyes
    • Sweet Dreams (Are Made of This) – Eurythmics
    • I Ran – A Flock of Seagulls
    • Love Will Tear Us Apart – Joy Division
    • Down Under – Men at Work

    This Tears for Fears hit explores the dangers of wanting more power than is healthy. While it wasn’t one of the group’s favorite songs, it became their biggest chart-topper, hitting number two in their home country of Britain and charting in other countries. Related: Check out these royal songs with king or queen in the title.

    Soft Cell covers Gloria Jones’ 1962 classic here. It tells a universally relatable story of an unhealthy romantic relationship for the protagonist, who has trouble leaving even though he knows he has to. The cover became tied in with the AIDS epidemic of the 1980s after its release. Related: Find this tune on our playlist of 1980s love songs.

    Here we learn the story of a man and a waitress. The two are in a romantic relationship that fails after the waitress becomes famous with the man’s help. He wants her to get back with him and threatens to end her career if she doesn’t: “it’s me who put you where you are now, and I can put you back down too.” Related: You won’t be able to get enough...

    This is a typical funk song in that the lyrics aren’t designed to make much sense. Instead, the whole track has a feel-good vibe. ‘Burning Down the House’ became Talking Heads’ biggest hit and is still used in pop culture to evoke nostalgic feelings from the 1980s. Related: Is it getting hot in here? It will with the best songs about heat or fire!

    Simple Minds’ classic hit remains popular today, largely because of its iconic use in the film The Breakfast Club. The lyrics find its protagonist hoping a lover won’t forget him and will see him with recognition if they cross paths in the future. The song was unusual for the group, as they did not write it or spend much time working on it. Related...

    While Naked Eyes’ 80s version and its more modern sensibility made the song an enduring hit, Lou Johnson first sang this Burt Bacharach and Hal David-penned track in 1963. The protagonist can’t get over a love interest because he sees reminders of the pair’s romance everywhere he goes.

    This track explores the darker side of our dreams, which we sometimes use to hurt others. It became Eurythmics’ first single in the United States after reaching number one in the United Kingdom. Despite its haunting undertones, the song remains a favorite dance track for many listeners. Related: Rock out with the best female rock songs.

    A man finds himself attracted to a woman on this track. He is afraid of his feelings but can’t get over them. The two are then abducted by aliens, which isn’t too crazy since this song is the opener for an entire album about an alien invasion on earth. A Flock of Seagulls was one of many groups in the 80s who found success due largely in part to pr...

    This is a sarcastic response to the song ‘Love Will Keep Us Together.’ Ian Curtis wrote the heartbreak-infused lyrics while his marriage was falling apart. The song did not chart after its release, and Curtis died a month later. The song was re-released a month after his death and finally found success. Related: This is one of the songs in Donnie D...

    While this song is a celebration of Men at Work’s native Australia, it also criticizes the changes that the country was experiencing in the 80s. Despite its criticisms, ‘Down Under’ became the unofficial anthem of Australia in 1983 after the country won America’s Cup. Related: You won’t want to miss our 80s hits playlist.

  4. List of new wave artists. The following is a list of artists and bands associated with the new wave music genre during the late 1970s and early-to-mid 1980s. The list does not include acts associated with the resurgences and revivals of the genre that have occurred from the 1990s onward. Acts associated with these revivals are found in the list ...

  5. dance-punk. New Romantic. New pop. New wave is a music genre that encompasses pop -oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture ". [4] It was originally used as a catch-all for the various styles of music that emerged after punk rock.

  6. new wave, category of popular music spanning the late 1970s and the early 1980s. Taking its name from the French New Wave cinema of the late 1950s, this catchall classification was defined in opposition to punk (which was generally more raw, rough edged, and political) and to mainstream “corporate” rock (which many new wave upstarts considered complacent and creatively stagnant).

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