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Mar 3, 2023 · As a multimodal activity that invites cognitive, emotional, social, and physical engagement, music provides an embodied and situated experience that is deeply intertwined with cultural traditions and attitudes ( DeNora, 2000 ).
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Music is a cross-cultural universal, a ubiquitous activity found in every known human culture. Individuals demonstrate manifestly different preferences in music, and yet relatively little is known about the underlying structure of those preferences.
- Peter J. Rentfrow, Lewis R. Goldberg, Daniel J. Levitin
- 10.1037/a0022406
- 2011
- 2011/06
Sep 22, 1997 · Folk psychology is a name traditionally used to denote our everyday way of understanding, or rationalizing, intentional actions in mentalistic terms.
- Daniel Hutto, Ian Ravenscroft
- 1997
Aug 20, 2020 · This introduction to the topical collection, Folk Psychology: Pluralistic Approaches reviews the origins and basic theoretical tenets of the framework of pluralistic folk psychology.
- Kristin Andrews, Shannon Spaulding, Evan Westra
- 2021
It places special emphasis on pluralism about the variety folk psychological strategies that underlie behavioral prediction and explanation beyond belief-desire attribution, and on the diverse range of social goals that folk psychological rea-soning supports beyond prediction and explanation.
- Kristin Andrews, Shannon Spaulding, Evan Westra
- 2021
If music is universal, what type of role does it have in society? Music is woven into the fabric of our lives, inextricably linked to a host of social and psychological functions that help define what it means to be human. This chapter focuses on the functions of music in society.
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There are very different views in philosophy and psychology concerning the nature of folk psychological states, ranging from eliminativism, to dispositionalism, to representationalsim. This chapter explains how those different ontological viewpoints bear on the project of explaining imagination.