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  1. East Asian arts. Chosŏn style. magatama. Korean art, the painting, calligraphy, pottery, sculpture, lacquerware, and other fine or decorative visual arts produced by the peoples of Korea over the centuries. (Although Korean architecture is touched on here, it is also the subject of a separate article.)

  2. On the other hand, the color black in the modern era is favored through its perception as a color that signifies 'exclusivity' and 'chic', ridding itself of its colemn and gloomy nuances of...

  3. Thereafter Korean painting including different traditions, of monochromatic works of black brushwork, sometimes by amateurs, professional works with colour, including many genre scenes, and animal and bird-and-flower painting, and colourful folk art called minhwa, as well as a continuing tradition of Buddhist devotional scrolls called taenghwa ...

  4. The potter used white slip to depict the cranes and clouds, adding intricate details such as feathers and curlicued wisps. The addition of black slip accentuates the crane’s form. Such inlaid creations, uncommon in China, became emblematic of a Goryeo ceramic aesthetic.

  5. White Porcelain and Punch'ông Ware. London: Laurence King, 2003. Kim, Hongnam. "An Kyon and the Eight Views of Tradition: An Assessment of Two Landscapes in The Metropolitan Museum of Art." In Arts of Korea, edited by Judith G. Smith, pp. 366–401. New York: Metropolitan Museum of Art, 1998. See on MetPublications. Lee, Soyoung.

  6. and The kun-hee Lee fund for korean art. additional support is provided by the korea foundation. The exhibition is made possible by the korea foundation and The kun-hee Lee fund for korean art. published by The Metropolitan Museum of art, new York John p. o’neill, publisher and editor in Chief Gwen Roginsky, General Manager of publications

  7. “Some of the most outstanding achievements in Korean art and culture date to the Goryeo dynasty (918–1392), which rules the peninsula for nearly 500 years. Buddhism, even more lavishly patronized by the court and aristocracy during this period than in the preceding Unified Silla period (676–935), is a major creative force in the arts, exemplified in part by the proliferation of temple ...

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