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- The painting celebrates the civilizing and nurturing effects of love, as milk flows from Venus’s breast and Mars is disarmed. A brilliant colorist, Veronese amplifies the sensuality of the subject through his lush palette.
www.metmuseum.org › art › collectionMars and Venus United by Love - The Metropolitan Museum of Art
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Feb 19, 2024 · This painting, created in the 16th century, is an allegorical representation of love and its different facets. Veronese's composition depicts four figures, each embodying a different type of love: familial love, romantic love, unrequited love, and divine love.
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Paolo was born in Verona hence his nickname 'Veronese'. His father was a stonecutter and his mother was the illegitimate daughter of a nobleman called Caliari, a name the artist adopted in the 1550s. Veronese moved to Venice in the early 1550s and stayed there for the rest of his life, becoming one of the leading painters of the 16th century.
He was trained in Verona by Antonio Badile (about 15181560) whose daughter he married in 1566. Subsequently, it seems he served a stint in the studio of Giovanni Battista Caroto (1488about 1563/6). The roots of his style may be located in the antique architecture and sculpture of Verona, but are ultimately his own synthesis of Central and Northern ...
In Venice, Titian's approach to composition, narrative, and colouring was crucial for Veronese, but his work is characterised by principles of harmony and compositional cohesion that owe as much to Raphael and the Central Italian tradition as to the Venetian. The flowing, sinuous line of Parmigianino is also an important precedent.
Giulio Romano and his Venetian colleague and rival Tintoretto were also significant touchstones at various points of Veronese's career, but his outlook is ultimately classical and harmonious in a way we tend not to associate with their work, and what has come more broadly to be understood as Mannerism.
For most of his career, Veronese worked for patrons, religious and secular, in Venice and the Veneto. Among his important works are the full-scale decoration of the Venetian church of S. Sebastiano (1555around 1570), his ceiling and wall paintings for the library of S. Marco (155657) and the Ducal Palace (early 1550s and 157582), and his fresco dec...
Veronese ran a large workshop, assisted by his brother Benedetto and his sons Gabriele and Carlo (or 'Carletto'). They carried on his studio after his death.
Feb 19, 2024 · "Mars and Venus United by Love" by Paolo Veronese is a captivating piece of art that portrays the union of two powerful mythological figures, Mars, the god of war, and Venus, the goddess of love. The painting, created around 1570, features Mars and Venus reclining in an intimate embrace.
Paolo Veronese’s paintings are grandiose and magnificent visions of the spectacle of sixteenth-century Venetian life. His art is inextricably linked to the idea of opulence and splendor in Renaissance Venice.
Paolo Caliari (1528 – 19 April 1588), known as Paolo Veronese ( / ˌvɛrəˈneɪzeɪ, - zi / VERR-ə-NAY-zay, -zee, also US: /- eɪsi / -see, Italian: [ˈpaːolo veroˈneːze, -eːse] ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as The Wedding at Cana ...
Venus and Mars is an oil painting on canvas painted in the 1570s by the Italian Renaissance artist Paolo Veronese. The painting was commissioned by Emperor Rudolph and was one of three mythological and love-themed works commissioned by the artist.
These four paintings by Veronese are allegories of love. They are titled Unfaithfulness , Scorn , Respect and Happy Union , although their precise meanings remain unclear and have been much debated.
