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2001: A Space Odyssey is a 1968 epic science fiction film produced and directed by Stanley Kubrick. The screenplay was written by Kubrick and science fiction author Arthur C. Clarke, and was inspired by Clarke's 1951 short story " The Sentinel " and other short stories by Clarke.
- Kubrick Tried to Buy Alien Insurance
- Clarke Steamed as The Novel Languished
- An Angry Stuntman Chased Kubrick Off The Set
- It Took A Village
- When Clarke Came Out, Kubrick Shrugged
- A Pipe Wrench Almost Took Out A Famous Professor
- These Space Geeks Hated Flying
- The Ape-Man Was Addicted
- They Filched Rare Trees For Naught
- Kubrick Had His Own Leopard-Proof Cage
Just before NASA’s Mariner 4 spacecraft passed Mars in July 1965, a worried Kubrick attempted to take out an insurance policy with Lloyd’s of London—in case the discovery of extraterrestrial life ruined the plot he was then working on with science-fiction writer Arthur C. Clarke. “How the underwriters managed to compute the premium, I can’t imagine...
Early in pre-production Kubrick proposed to Clarke that they co-write a novel first, then base their film script on it—rather than the other way around. In fact, the director had promised Clarke that their novel could be published before the film came out. But as Kubrick became increasingly subsumed in the film, he reneged on that pledge—in part be...
During production, Kubrick at first refused to let spacewalking stuntman Bill Weston wear a second cable for safety, although he was 30 feet above a hard concrete studio floor. This almost resulted in a serious accident when individual strands of Weston’s sole cable broke under his weight. In another incident, Kubrick refused to let Weston punch ho...
Some of the film’s most iconic features were decided during production for purely practical reasons. The mysterious black monolith began as a translucent Plexiglas tetrahedron, which ultimately assumed a monolith shape because Plexiglas cools better that way. But after paying massively for the big clear Plexi slab, Kubrick decided it didn’t look ri...
Arthur C. Clarke, worried that Kubrick might reject further collaboration with him because he was gay, one day mustered the nerve to confront the issue head on. Choosing his moment, he abruptly announced during one of their meetings, “Stan, I want you to know that I’m a very well-adjusted homosexual.” “Yeah I know,” Kubrick responded without missin...
The film’s complex, kinetic sets were unintentionally hazardous. The film’s turning centrifuge, which was 38 feet in diameter, 10 feet wide, and weighed 30 tons, caused particular problems. Film lights don’t like to go upside down, and when they turned within the centrifuge, they frequently exploded, showering hot glass down on the film crew, which...
Stanley Kubrick and lead actors Keir Dullea and Gary Lockwood were all afraid of flying, with each traveling to England by boat for filming. That meant that the most convincing film about space exploration ever made would be captained and crewed by groundlings. As his trust in Kubrick’s vision grew, however, Dullea, who played astronaut Dave Bowman...
American mime Dan Richter, who both brought to life the lead man-ape “Moonwatcher” and choreographed the whole “Dawn of Man” prehistoric prelude, was a hard-core heroin addict throughout production—a fact he initially hid from Kubrick. Richter, who had beat out numerous professional actors for the role, had managed to achieve the status of a “legal...
Sent to South West Africa—today’s Namibia—to scout locations and supervise large-format photography of desert landscapes for the “Dawn of Man” sequence, Kubrick’s assistant Andrew Birkin sent Polaroid shots back to London of a fascinatingly primitive-looking giant spiny aloe tree, or kokerboom in Afrikaans. Seeing the shots, Kubrick grew excited, a...
No shooting day was more fraught with anxiety than the leopard-attack scene for the “Dawn of Man” sequence, which was set in a dry riverbed and filmed in the studio in London in September 1967. The leopard had been wrestling with animal trainer Terry Duggan for many months, but it didn’t know Dan Richter, who’d agreed to be in the scene. When it fi...
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Jul 1, 2022 · In short, ‘2001: A Space Odyssey’ is not just the best science fiction movie ever; it is also a philosophical journey that has several underlying themes. There are tons of ways to interpret it but there’s no one right way. It’s been almost 50 years and this immortal film is still a hot topic among cinephiles.
2001: A Space Odyssey is a sci-fi film directed by Stanley Kubrick, widely received as an auteur and a maverick in cinema history. Many perceive it as his magnum opus and as one of the greatest achievements in modern art history.
The final moments of 2001: A Space Odyssey depict a classic scene of death and rebirth. The sequence of events is as follows: Dave observes chronological moments of his life through a series of jump cuts. Dave observes himself in bed as an old, frail man on his deathbed. In one last jump cut, Dave finds himself in his dying body.
Summaries. After uncovering a mysterious artifact buried beneath the Lunar surface, a spacecraft is sent to Jupiter to find its origins: a spacecraft manned by two men and the supercomputer HAL 9000. "2001" is a story of evolution. Sometime in the distant past, someone or something nudged evolution by placing a monolith on Earth (presumably ...
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2001: A Space Odyssey. Since its premiere in 1968, the film 2001: A Space Odyssey has been analysed and interpreted by numerous people, ranging from professional movie critics to amateur writers and science fiction fans. The director of the film, Stanley Kubrick, and the writer, Arthur C. Clarke, wanted to leave the film open to philosophical ...
