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  1. en.wikipedia.org › wiki › Ode_to_JoyOde to Joy - Wikipedia

    "Ode to Joy" is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. Beethoven's text is not based entirely on Schiller's poem, and it introduces a few new sections.

  2. Dec 29, 2018 · The “Ode to Joy” text that Beethoven employed, and slightly modified, was written by the German poet, Johann Christoph Friedrich von Schiller, in the summer of 1785. It was a celebratory poem addressing the unity of all mankind.

  3. May 1, 2024 · Beethoven’s ‘Ode to Joy’ has become known as an anthem of both protest and peace. Its most famous moment in the spotlight was perhaps on Christmas Day in 1989, when Leonard Bernstein conducted a performance to mark the fall of the Berlin Wall, replacing the word ‘Freude’ (joy) with ‘Freiheit’ (freedom).

    • Maddy Shaw Roberts
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  5. The text was adapted from the "An die Freude (Ode to Joy)", a poem written by Friedrich Schiller in 1785 and revised in 1803, with additional text written by Beethoven. In the 20th century, an instrumental arrangement of the chorus was adopted by the Council of Europe , and later the European Union , as the Anthem of Europe .

  6. May 12, 2024 · Schiller’s popular “Ode to Joy” was published in 1785, and it is possible that Beethoven made his first of multiple attempts to set it to music in the early 1790s. He clearly revisited the poem in 1808 and 1811, as his notebooks include numerous remarks regarding possible settings.

    • Betsy Schwarm
  7. Symbol of Unity and Brotherhood. The European Union adopted the “Ode to Joy” as its official anthem in 1985, sans lyrics, to represent the ideals of freedom, peace, and solidarity. This act underlines the Symphony’s power as a symbol of unity and collaboration, transcending linguistic and cultural barriers.

  8. The words, which are sung by four vocal soloists and a chorus, emanate a strong belief in mankind. They were taken from a poem written by German writer Friedrich Schiller in 1785 and revised in 1803, with additions made by Beethoven.

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