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Mar 11, 2023 · When taking a portrait photo I recommend positioning your subject so that the subject’s eyes will be in the upper third of the frame. However, if you take full-body portraits, simply position your subject on the left or right vertical line of the rule of thirds as shown in the photo below.
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- Natural Framing in Photography
- Get Closer!
- Use The Rule of Thirds
- Leave Enough Space Above The Subject’S Head
- Leave Enough of The Shoulders For A Good Base
- Leave Space in Front of The Subject
- Watch Your Cropping of Body Parts
- Breaking The Rules
- It’S Okay to Crop Into The Head
- Put More Space Behind The Subject
- Tilt The Camera
In general beginning photographers tend to include too much stuff in their images, too much space around the subject. The same is true for portraits. In my classroom when I teach this topic I often see people with a 50mm lens standing too far away from their model, leaving the person small in the frame. Fear of encroaching on someone’s personal spa...
Portraits with the person smack in the middle of the frame feel a bit average, boring even. Using the rule of thirds, as you would for any of your photography, place the subject off-center to add interest. Let’s compare the following two versions of the same portrait. Portrait composition 03 In this version the model is dead center and the image fe...
We already talked about getting closer, another issue I see is the opposite problem and that’s not enough space above the subject’s head. You don’t want them to feel cramped or crowded in the frame so leave just the right amount so it feels comfortable. This takes practice and experience, but here are some examples to help you. In all of the portra...
This type of to counter the tendency to go from one extreme (too much space) to the other (not enough space). Yes really tight head shots can be really stunning, dynamic and powerful – but a head needs something to sit on or it looks bit odd, like a floating head. Think about sculptures you may have seen in museums. When you see a bust sculpture, w...
Back to space again. As I said earlier it may seem contradictory to both get closer and leave more space but it’s about finding the right balance, how much space, and where it’s placed. When you have a portrait with the person looking in one direction ideally you want to leave more space in front of them – allowing them space to look – as opposed t...
Try to avoid cropping off your subject’s hands or feet – either leave them in or crop in tighter to the knees and elbows. When you crop off a small part of an appendage it tends to look amputated, like something is missing or it’s a mistake. But when you come in closer it’s obvious you’ve done it on purpose. Cropped a bit too tight, the model is mi...
Okay once you have learned and practiced the rules it’s time to start pushing the boundaries and breaking them. But, as I said above, do it for a reason. Know why you’re composing a portrait the way you are, and what affect it will have on the mood of the final image.
As in the profile portrait you saw above, sometimes cropping into the head can create a dynamic, interesting look for a portrait. Just be careful you don’t go too far, or don’t crop in far enough. To me the cropping above feels just about right so this was my final version of this image. Look at this compared to the ones below now. This one doesn’t...
Remember I talked about putting space in front of your subject and we looked at the one that was opposite of that? The one thing to keep in mind if you are breaking this rule is that by doing so you create tension in your image. Once again, if that’s the look and feel you want – then by all means go for it. But knowing this you can make educated de...
When you’re photographing things like landscapes or architecture you usually want to make sure the horizon and any verticals are straight. With portraits I throw that rule out the window as one of my favourite ways to add movement is to tilt the camera. Diagonal lines are infinity more interesting and have more flow than straight ones. In fact the ...
Most experts agree that you should follow the rule of thirds and compose your portrait so that the subject's eyes are positioned roughly one third of the way down from the top edge of the frame. This gives your portrait's composition an inherent balance and a natural, pleasing feel.
- Georgia Nelson
- Obey the rule of thirds. One of the most basic rules of any art medium whether it be photography, motion pictures, or traditional paintings is the rule of thirds.
- Don’t chop limbs. Limb chopping is sometimes necessary for close-up portraits. This rule isn’t necessarily targeting those kinds of “chops” but more to those limb chops that happen on joints.
- Avoid Franken-forehead. Avoid cropping and framing your subject in such a way that the hairline at the top doesn’t indicate the end of the forehead.
- Don’t behead the subject with the horizon. Crouch down to your subject’s level or stand just above them to ensure that the horizon doesn’t cut right through her head or neck.
- Rule of Thirds. It is one of the most fundamental rules in any photography composition technique. It is used in landscape, city, and very commonly in portrait composition.
- Shallow Depth of Field. That’s a pretty easy portrait composition technique to adapt. The main reason why it is widely used is when the background has a lot of activity.
- Leading Lines. Another composition rule used in different forms of photography is the use of leading lines to draw attention to your model. It is a powerful tip to use because it will lead viewers’ eyes automatically to your focal point.
- Filling the Frame. How can we eliminate all the fuss from both the background and foreground? It’s simple – fill the whole frame with your subject. Start with traditional mugshots from the shoulders up to the top, and finish with close-up detailed shots.
Sep 23, 2020 · It is normally considered appropriate to focus on the eye closest to the camera if the head is turned slightly and, when you have multiple people in frame, you can use lens and camera settings to keep each person’s eyes in focus or choose your primary subject and have only their eyes be in sharp focus.
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2 days ago · The composition of a typical headshot is usually a close-up of the subject’s face, with the eyes in focus and the background blurred. The subject is usually positioned off-center using the rule of thirds, and the lighting is used to highlight the subject’s features.
