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  1. Wojciech Kilar (Polish: [ˈvɔjt͡ɕɛx ˈkʲilar]; 17 July 1932 – 29 December 2013) was a Polish classical and film music composer. One of his greatest successes came with his score to Francis Ford Coppola's Bram Stoker's Dracula in 1992, which received the ASCAP Award and the nomination for the Saturn Award for Best Music.

  2. Wojciech Kilar (ur. 17 lipca 1932 we Lwowie, zm. 29 grudnia 2013 w Katowicach [1]) – polski pianista, kompozytor muzyki poważnej, religijnej i filmowej. Kawaler Orderu Orła Białego . Życiorys [ edytuj | edytuj kod] Urodził się 17 lipca 1932 roku we Lwowie. Jego dom rodzinny znajdował się przy ul. Sapiehy 89.

  3. Jan 11, 2014 · Wojciech Kilar, a Polish pianist and composer who was most widely known for writing the scores for films, including Roman Polanski’s “The Pianist” and Francis Ford Coppola’s “ Bram Stokers...

  4. All Our Projects. Artists & Works Index. Multimedia. A pianist who also authored orchestral and chamber vocal-instrumental music as well as piano compositions; one of the founding members of the Karol Szymanowski Society.

  5. Wojciech Kilar (17 July 1932 – 29 December 2013) was a Polish classical and movie composer. He was known for his composing in Bram Stoker's Dracula and The Pianist. He received many awards throughout his fifty years of composing. Kilar was born on 17 July 1932 in Lwów, Poland (present-day Lviv, Ukraine).

  6. Wojciech Kilar ( Polish: [ ˈvɔjt͡ɕɛx ˈkʲilar]; 17 July 1932 – 29 December 2013) was a Polish classical and film music composer. One of his greatest successes came with his score to Francis Ford Coppola 's Bram Stoker's Dracula in 1992, which received the ASCAP Award and the nomination for the Saturn Award for Best Music.

  7. Wojciech Kilar est un compositeur polonais de musique de films et de musique classique, né le 17 juillet 1932 à Lwów (alors en Pologne, puis en Ukraine, en ukr. Lviv) et mort le 29 décembre 2013 à Katowice . Son travail pour Le Pianiste lui vaut en 2002 le César de la meilleure musique écrite pour un film . Biographie.

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