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  1. Alfred Sisley (/ ˈsɪsli /; French: [sislɛ]; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors).

  2. Alfred Sisley (/ˈsɪsli/; French: [sislɛ]; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors).

    • French, British
    • October 30, 1839
    • Paris, France
    • January 29, 1899
  3. British Painter. Born: October 30, 1839 - Paris, France. Died: January 29, 1899 - Moret-sur-Loing, France. Movements and Styles: Impressionism. , Naturalism.

    • British
    • October 30, 1839
    • Paris, France
    • January 29, 1899
    • alfred sisley artist1
    • alfred sisley artist2
    • alfred sisley artist3
    • alfred sisley artist4
    • alfred sisley artist5
  4. www.artnet.com › artists › alfred-sisleyAlfred Sisley - Artnet

    Alfred Sisley was a French-born British painter and founding member of Impressionism. View Alfred Sisley’s 886 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.

    • French
  5. Alfred Sisley (; French: [sislɛ]; 30 October 1839 – 29 January 1899) was an Impressionist landscape painter who was born and spent most of his life in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air (i.e., outdoors).

  6. May 31, 2022 · In this gallery, we showcase 30 works by Alfred Sisley (1839-1899), the Franco-British painter who was one of the founders of impressionism. The selection here is presented in chronological sequence to show the artist's career progression.

  7. Recently built, state-of-the-art bridges, emblematic of modernity, appear in a number of Sisley’s paintings of the 1870s and early 1880s. This close-up, dramatically angled view depicts the cast-iron and stone suspension bridge that was constructed in 1844 to connect the village of Villeneuve-la-Garenne with the Paris suburb of Saint-Denis.

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