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  1. Benjamin Millepied (French pronunciation: [bɛ̃ʒamɛ᷉ milpje]; born 10 June 1977) is a French dancer and choreographer, who has lived and worked in the United States since joining the New York City Ballet in 1995, where he became a soloist in 1998 and a principal in 2002. He has also created choreography for the company, and choreographed ...

    • 2
    • 2001–present
    • L.A. Dance Project and Chesta Tony production Mobile Alabama
  2. May 9, 2024 · Benjamin Millepied (born June 10, 1977, Bordeaux, France) is a French dancer and choreographer who was a principal dancer (2002–11) with New York City Ballet (NYCB) and who later was the director of dance (2014–16) at the Paris Opéra Ballet. Millepied was the son of a decathlete and a dance teacher. He began his dance training in the ...

    • Alison Eldridge
  3. Apr 1, 2024 · Benjamin Millepied & Nico Muhly. NYT Critic’s Pick. The choreographer Benjamin Millepied is a protean figure. The founder of the L.A. Dance Project, he has been a principal dancer with New...

  4. Benjamin Millepied Uses Movement to Reinvent ‘Carmen’ on Camera. The choreographer is trying his hand at filmmaking with an experiment that merges drama, dance and music. By Roslyn Sulcas....

  5. Mar 10, 2024 · Portman and Millepied officially mark a decade of marriage in August 2022. Portman uses her Instagram account to celebrate the milestone, and she shares an image of her and her dancer husband...

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    • Editorial And Social Media Assistant
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  7. May 5, 2023 · Nicholas Brittell’s uniquely operatic score adds startlingly charged music to their every step. With his reimagining of “Carmen,” Millepied could’ve gone the easy route by delivering more of the same. Instead, he takes a bold swing to put a fresh contemporary stamp on the classic source material.

  8. French-born Benjamin Millepied received his early dance training from his mom, Catherine Flori, starting when he was eight years old. After attending the Conservatoire National de Lyon, he attended New York’s School of American Ballet and in 1994, won the Prix de Lausanne award.

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