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Howards End is a 1992 period romantic drama film directed by James Ivory, from a screenplay written by Ruth Prawer Jhabvala based on the 1910 novel of the same name by E. M. Forster.
Feb 26, 1993 · Howards End: Directed by James Ivory. With Vanessa Redgrave, Helena Bonham Carter, Joseph Bennett, Emma Thompson. Set in the early 20th century, class distinctions and troubled relations affect the relationship between two families and the ownership of a cherished British estate known as Howards End.
- (36K)
- Drama, Romance
- James Ivory
- 1993-02-26
Jun 5, 2005 · Roger Ebert June 05, 2005. Tweet. Merchant-Ivory favorites Emma Thompson and Anthony Hopkins play Margaret Schlegel and Henry Wilcox in "Howards End" (1992), a film that through conversation illustrates the point that two people with fundamentally different values will never be able really to communicate. Now streaming on:
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Howards End. Rent Howards End on Fandango at Home, Prime Video, or buy it on Fandango at Home, Prime Video. A superbly-mounted adaptation of E.M. Forster's tale of British class tension,...
- (69)
- James Ivory
- PG
- Anthony Hopkins
England, early 1900s. Margaret Schlegel (Dame Emma Thompson) befriends Ruth Wilcox (Vanessa Redgrave), the sickly wife of Henry Wilcox (Sir Anthony Hopkins), a man of significant wealth. On her deathbed, Ruth bequests her house, Howards End, to Margaret, but this is deemed non-binding by her family, and Margaret doesn't hear of the inheritance.
May 1, 1992 · Now streaming on: Powered by JustWatch. "Howards End," a film at once civilized and passionate, is named for a house in the English countryside. It has been in the Wilcox family for a long time - or, more properly, in the family of Mrs. Wilcox, who makes it the center of her life and retreats to its peace when the noise of life in London with ...
Howards End: With Matthew Macfadyen, Hayley Atwell, Philippa Coulthard, Alex Lawther. The social and class divisions in early 20th century England through the intersection of three families - the wealthy Wilcoxes, the gentle and idealistic Schlegels and the lower-middle class Basts.
