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A line is a unit of writing into which a poem or play is divided: literally, a single row of text. The use of a line operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or single clauses in sentences.
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A line in a poem is a set of words that ends for a specific reason, which may include rhythm, meaning, syllable count, pacing, or rhyme. The poet chooses where to break the line, which can make the words at the end feel more important.
A line is a subdivision of a poem, specifically a group of words arranged into a row that ends for a reason other than the right-hand margin.
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Instead, it is a modifier or an amplifier of sense, syntax, sound, and rhythm—which is precisely why an exploration of line can so illuminate poetry as a whole. The best way to approach the many ways poetic line can operate is to first examine how poets actually use it.
The ten-syllable, or blank verse, line provides a kind of norm in English poetry. William Wordsworth (1770–1850) and Robert Frost (1874–1963) both perceived that the blank verse line could be used to give the sensation of actual speech—a person engaging others.
Lines of poems are often organized into stanzas, or verses, which are denominated by the number of lines included. Thus a collection of two lines is a couplet (or distich), three lines a triplet (or tercet), four lines a quatrain, and so on.
Oct 25, 2023 · Line breaks are a fundamental aspect of poetry and can play a part in meaning, sound, rhythm and syntax. Knowing where and why a line has to be short or long can help both reader and poet. This guide to lineation gives many examples and explains the basics of enjambment, caesura and end stops.