Meet Me in St. Louis
1945
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Lucille Bremer. Actress: Meet Me in St. Louis. Arthur Freed discovered Lucille when she was working in a nightclub doing a specialty dance act, and decided to cast her as Rose Smith in Meet Me in St. Louis, and began building up her career which never really took off despite being put in 3 big musical productions at MGM.
- February 21, 1917
- April 16, 1996
She returned to dancing, performing at the Copacabana nightclub in New York City and the Club Versailles, where she was spotted by Arthur Freed, a producer at Metro Goldwyn Mayer. She was listed among six "Samba Sirens" for the Copacabana Revue's in the summer of 1942 outing in Saratoga Springs, New York , [4] and as a singer-dancer as a Hotel ...
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Lucille Bremer. Actress: Meet Me in St. Louis. Arthur Freed discovered Lucille when she was working in a nightclub doing a specialty dance act, and decided to cast her as Rose Smith in Meet Me in St. Louis, and began building up her career which never really took off despite being put in 3 big musical productions at MGM.
- January 1, 1
- Amsterdam, New York, USA
- January 1, 1
- La Jolla, California, USA
She was appearing at the Versailles night-club when she was spotted by the producer Arthur Freed. "The moment I saw her," said Freed later, "I realised she had the elegance of Marilyn Miller....
"This Heart of Mine" is a 1944 song written by composer Harry Warren and lyricist Arthur Freed, and featured in the musical score of the film, Ziegfeld Follies. The song is introduced by Fred Astaire, who dances with Lucille Bremer in a lavish and romantic dance sequence.
Apr 20, 1996 · While dancing as a Rockette at Radio City Music Hall, she was discovered by Arthur Freed, the Metro-Goldwyn-Mayer producer. After making her movie debut in "Meet Me in St. Louis" in 1944, she...
Mar 4, 2021 · However, her luck changed when MGM producer Arthur Freed discovered her dancing at the Copacabana and Club Versailles. Ultimately, Freed invited Bremer to Hollywood for a screen test with MGM. There, she tested with a passage from Dark Victory (1939).
