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      • In literature, fear is often used for two purposes: First, a story about fear that ends in love cultivates the cardinal virtue of fortitude and the theological virtue of hope. Second, a story about fear that does not end in love shows the nature of evil and despair, acting as a warning tale to readers.
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    • Death, death, death—did I mention death? An almost universal fear, death recurs in literature more than any other fear, all the way from canonical works through fantasies like J.R.R.
    • Avoiding death for the wrong reasons. Literature loves paradox and so, paradoxically, the second greatest fear is avoiding death for the wrong reasons: when death will inevitably follow a noble or moral act or out of cowardice, especially in war.
    • Hunger or other severe physical deprivation. Survival tends to trump the finer emotions when it comes to fear. Sometimes time specific, the fear of hunger nonetheless reminds us of basic things.
    • Killing or causing the death of someone you love. Whether by murder, negligence or a set of circumstances beyond our control, the fear of causing the death of someone we love is a big one.
  2. The subject of fear, whether in the form of neurotic anxiety or supernatural terror, is among the most prevalent in literature. A common element in the motivation of character and a dominant...

  3. Jun 8, 2022 · [In the following essay, Bass discusses the presentation of fear in the poetry of Robert Frost, centering on fears associated with individual experience, including fear of nature, and...

  4. An entire literature of Fear exists. Why should this be astonishing? Each one of us has in his innermost being a secret longing for violent emotions. At all times, in all parts of the globe,...

  5. In Poetics, Aristotle underscores the importance of catharsis through fear and pity in the construction and consumption of tragedies, and he ultimately argues that tragic plots involving reversal and recognition are best for producing feelings of fear and pity.

  6. May 11, 2012 · Fear and Literature. Tim Parks. Is the novel a space of intense engagement with the world, of risk and adventure? Or is it a place of refuge, of hanging back from life? May 11, 2012. Christopher Anderson/Magnum Photos. A man driving through Catia, a violent slum in Caracas, Venezuela, 2005.

  7. In Exploring Fear, the authors tackle Rousseau’s work in which he agreed with the use of fear in education because he believed that it taught a person how to prepare themselves for the future when they become independent (524).

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