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  2. Beethoven composed works in all the main genres of classical music, including symphonies, concertos, string quartets, piano sonatas and opera. His compositions range from solo works to those requiring a large orchestra and chorus.

    • Missa Solemnis

      The Missa solemnis in D major, Op. 123, is a Solemn Mass...

    • English

      Ludwig van Beethoven [n 1] (baptised 17 December 1770 – 26...

    • John Suchet
    • Archduke Trio. This was the last piece Beethoven performed in public, due to the worsening of his deafness. Dedicated to his greatest patron, the trio has a joyous first movement, but the slow movement is one of his loveliest.
    • Waldstein Piano Sonata. The Waldstein Piano Sonata was dedicated to Beethoven’s patron in Bonn, back in his teenage years. Once again there’s a joyous first movement, with rapidly repeated chords at the opening – a challenge for the pianist.
    • Triple Concerto. This is my candidate for one of the two most unjustly neglected compositions by Beethoven. He wrote it for friends, so the piano part – to be played by Archduke Rudolf – is not complex.
    • Choral Fantasia. Like the Triple Concerto – unjustly neglected. It begins with solo piano, then orchestra comes in, then chorus and soloists. At the first performance, Beethoven was improvising, and the piece went off the rails.
    • Symphony No.3 in E Flat, Op.55 – ‘Eroica’ Symphony
    • Symphony No. 9 in D Minor, Op. 125 – ‘Choral’ Symphony
    • Piano Sonata No.30 in E, Op.109
    • String Quartet No.14 in C Sharp Minor, Op.131
    • Piano Concerto No.5 in E Flat Major – ‘Emperor’ Concerto
    • Symphony No.7 in A, Op.92
    • Fidelio, Op.72
    • Symphony No. 5 in C Minor, Op. 67
    • Violin Concerto in D, Op.61
    • Violin Sonata No.9, Op.47 – ‘Kreutzer’ Sonata
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    Beethoven’s ‘Eroica’ Symphony completed in 1804, changed the musical world and is perhaps his defining work. At a stroke, orchestral music moves into another dimension, with a breadth of conception and emotional freight and range beyond anything previously dreamed of, the exact concision and classical symmetry of Mozart is left behind. It was origi...

    Beethoven’s Symphony No. 9 is one of Beethoven’s greatest compositions and one of the greatest symphonies ever composed. Symphony No. 9 is also known as the ‘Choral’ Symphony as its final movement features four vocal soloists and a chorus who sing a setting of Schiller’s poem An Die Freude (Ode To Joy). In the ‘Choral’ Symphony, Beethoven took the ...

    Beethoven wrote 32 piano sonatas, the last three being a trilogy that belong together. The first of the three, No.30 in E, is one of the loveliest things he wrote, and is rather shorter than some of its predecessors, with a crystalline surface hiding great mysteries and intricacies of form and harmony. The short first two movements, the former emer...

    The quartet is the most personal of compositions – it is music reduced to its absolute fundamentals with four players in quasi-spontaneous interaction. Beethoven’s last quartets are an extreme form, far from easy listening and incredibly intense, a kind of conversation with God, and this was the composer’s own favorite. It took Beethoven a lifetime...

    The ‘Emperor’ Concerto was not so-named by Beethoven, but it has majesty to spare, with an expansive surface and overwhelmingly major-key feel (disguising much harmonic and thematic intensity) that makes it a great showpiece for the soloist. Starting with three chords that expand into a flourish of mini cadenzas, it ends with a triumphant, vaulting...

    This is a sunny piece, and its premiere, at a concert for soldiers wounded at the 1813 Battle Of Hanau, was auspicious – it sounds like a celebration at the end of the nightmare of war. It is all momentum: there is no slow movement, but a half-playful, half-solemn Allegretto that brilliantly combines separate melodies and rhythms into a typically p...

    Beethoven was no natural when it came to opera – too high-minded and too idealistic for the grubby world of drama and the shades of human motivation – but Fidelio, his only effort in the genre, has astonishing, blazing periods that more than compensate for its patchy moments. There are certain operatic scenes that never fail to tingle the scalp. To...

    Beethoven’s Symphony No. 5 is one of the most frequently performed symphonies and one of the best-known compositions in classical music. The symphony begins with a distinctive four-note opening motif that recurs in various forms throughout the work, which Beethoven allegedly described to his secretary and biographer Anton Schindler as “Fate knockin...

    Written double-quick in the middle of an immensely creative period, the Violin Concerto in D, Beethoven’s most consistently lyrical work, allowed him to express pure musical serenity while his more intense side was coming out in compositions like the Coriolan Overture. It is really a 40-minute outpouring of untroubled melody, with moments of harmon...

    We should remember that Beethoven’s composing life didn’t begin with Eroica – in fact, had he died in 1803, we would still consider him a great. This sonata was written a few months before the third symphony and, like many of the works around this period, shows a great, restless striving. The first movement battles between an anguished minor-key th...

    Explore the selection of the best Beethoven works, including symphony, concerto, opera, string quartet, and piano sonata masterpieces. Learn about the composer's life, style, and influence, and listen to his most famous compositions on Apple Music and Spotify.

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  3. Browse the complete list of music composed by Ludwig van Beethoven, including piano sonatas, violin sonatas, symphonies, concertos, and more. Find the opus number, title, and genre of each piece.

  4. Beethoven composed works in all the main genres of classical music, including symphonies, concertos, string quartets, piano sonatas and opera. His compositions range from solo works to those requiring a large orchestra and chorus.

  5. His works include the celebrated 9 symphonies; 16 string quartets; 32 piano sonatas; the opera Fidelio (1805, rev. 1814); 2 masses, including the Missa Solemnis (1823); 5 piano concertos; a violin concerto (1806); 6 piano trios; 10 violin sonatas; 5 cello sonatas; and several concert overtures.

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