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  1. The Ballet Divertimento School supports the aspirations of passionate dance students from the first plié to master class. In an ambience of enjoyment and excellence, children, teens and adults cultivate a love of dance, whether the aim is a professional career or way to stay fit.

    • COVID

      Always, the wearing of a mask remains obligatory at all...

    • Youth

      Ballet Divertimento offers seven levels of ballet classes...

    • Shows

      Ballet Divertimento presents our annual TECHNICAL...

    • Summer

      To obtain a partial or full refund, the student or parent...

    • Fundraising

      In an effort to raise funds, Ballet Divertimento offers you...

  2. Mar 27, 2018 · Tuesday, March 27, 2018 - Sunday, April 1, 2018 Kennedy Center Opera House New York City Ballet returns with two sensational repertory programs for its annual appearance, including a program to...

    • Mar 15, 2018
    • 19.8K
    • The Kennedy Center
  3. Divertimento No. 15 is a ballet choreographed by George Balanchine to Mozart's eponymous music. The ballet was made for the New York City Ballet. Balanchine first choreographed the score in 1952, for a ballet titled Caracole.

  4. Apr 3, 2019 · Here's a 1986 NYC Ballet performance of the "Theme and Variations" section of Balanchine's masterpiece of classical technique, DIVERTIMENTO # 15 to music of the same name by Mozart. Filmed...

    • 8 min
    • 27.4K
    • John Clifford
  5. In order of their solo variations here are Victor Castelli, Peter Frame, Lauren Hauser, Maria Calegari, Stephanie Saland, Darci Kistler, Sean Lavery, and Kyra Nichols, in an excellent performance...

    • 22.9K
    • John Clifford
  6. Divertimento No. 15 is choreographed for eight principal dancers, five women and three men, with an ensemble of eight women. The ballet omits the second minuet and the andante from the sixth movement; a new cadenza for violin and viola by John Colman was added in the late 1960s.

  7. Divertimento No. 15 was choreographed for eight principal dancers, five women and three men, with an ensemble of eight women. The ballet omits the second minuet and the andante from the sixth movement; a new cadenza for violin and viola by John Colman was added in the late 1960’s.

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