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Nomad, 1963.Oil on canvas, plastic, wood, and metal, with painted string and metal fittings. 7' 6" x 11' 9" (228.6 x 358.1 cm) [90” x 141”]. Albright-Knox Art Gallery, Buffalo, New York, Gift of Seymour H. Knox, 1963 [K63:25].
- 1960S
1963. Rosenquist continues to experiment with including...
- Chronology
Included is Rosenquist’s Rainbow (1962). Nomad (1963) is...
- 1960S
James Rosenquist’s large-scale paintings are visual time capsules.The artist aimed to emulate society's bombardment with imagery by cohering fragments of illustrations and photographs primarily borrowed from advertising and mass media.
James Rosenquist recently died at the age of 83 on March 31, 2017. James Rosenquist: Paintings, 1961–1985, the first major retrospective of the artist's work in 15 years, included more than 30 immense paintings by one of the key figures in the development of Pop art. In these works, colorful, fragmented imagery, often appropriated from the ...
James Rosenquist: Paintings, 1961–1985, the first major retrospective of the artist's work in 15 years, features 45 paintings by one of the key figures in the development of Pop art. In these works, colorful, fragmented imagery, often appropriated from the mass media, refers to social and technological changes in contemporary society.
Jul 17, 2003 · Nomad (1963) offers up characteristically odd juxtapositions as it combines spaghetti, the legs of a ballet dancer, a giant billfold, a picnic table, an immense light bulb and the exclamation "NEW." A section of an Oxydol label fills most of the background as Rosenquist creates a striking visual mélange of American pop culture.
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