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No Exit (French: Huis clos, pronounced [ɥi klo]) is a 1944 existentialist French play by Jean-Paul Sartre. The play was first performed at the Théâtre du Vieux-Colombier in May 1944. The play begins with three characters who find themselves waiting in a mysterious room.
No Exit is a play by French existentialist philosopher and author Jean-Paul Sartre that was first performed in Paris in May 1944, just prior to the liberation of the city from German occupation in World War II.
Aug 7, 2020 · Of his nine plays No Exit is centrally important both as a crucial text applying the philosophical precepts that dominated the post–World War II era and as a formulation of a new kind of drama that significantly influenced the theater in the second half of the 20th century.
No Exit, one-act philosophical drama by Jean-Paul Sartre, performed in 1944 and published in 1945. Its original, French title, Huis clos, is sometimes also translated as In Camera or Dead End. The play proposes that “hell is other people” rather than a state created by God.
- The Editors of Encyclopaedia Britannica
NO EXIT (Huis Clos) – A PLAY IN ONE ACT CHARACTERS IN THE PLAY VALET GARCIN ESTELLE INEZ Huis Clos (No Exit) was presented for the first time at the Theatre du Vieux-Colombier, Paris, in May 1944. SCENE A drawing-room in Second Empire style. A massive bronze ornament stands on the mantelpiece.
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No Exit is a theatrical representation of Sartre’s philosophical ideas regarding Existentialism, about which he wrote quite a lot. In particular, the play demonstrates his theories about subjectivity and the human “gaze,” which he outlines in his book-length essay Being and Nothingness.
Although many nineteenth century philosophers developed the concepts of existentialism, it was the French writer Jean Paul Sartre who popularized it. His one act play, Huis Clos or No Exit, first produced in Paris in May, 19944, is the clearest example and metaphor for this philosophy.
