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  1. The Blue Rider (German: Der Blaue Reiter) is an oil painting executed in Bavaria in 1903 by the Russian emigré artist Wassily Kandinsky. It is now held in a private collection in Zürich, and shares its name with an almanac and the art movement he would co-found with Franz Marc in the early 1910s.

  2. Der Blaue Reiter (The Blue Rider) was a group of artists and a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912.

  3. In January of 1909, Wassily Kandinsky proposed forming a new group of like-minded artists in opposition to traditional exhibition venues, the Neue Künstlervereinigung München (Munich New Artists' Association), a secession movement that contained several future members of Der Blaue Reiter.

  4. Perhaps the most important of Kandinsky's paintings from the first decade of the 1900s was The Blue Rider (1903), which shows a small cloaked figure on a speeding horse rushing through a rocky meadow. The rider's cloak is medium blue, which casts a darker-blue shadow.

  5. Jun 22, 2023 · Expressionists is a story of friendships told through art. It examines the highly individual creatives that made up The Blue Rider, from Franz Marc’s interest in colour to Alexander Sacharoff’s freestyle performance. The women artists played a central role in the movement.

  6. Using a visual vocabulary of abstract forms and prismatic colors, Blaue Reiter artists explored the spiritual values of art as a counter to [what they saw as] the corruption and materialism of their age. The name, meaning “blue rider,” refers to a key motif in Kandinsky’s work: the horse and rider.

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  8. The Blue Rider (Der Blaue Reiter) was an informal collective of modern expressionist artists who came together in Munich, Germany in 1911. Led by artists including Wassily Kandinsky, Gabriele Münter and Franz Marc, the group aimed to explore the emotional and spiritual dimensions of art, emphasising abstraction, symbolism and expressive mark ...

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