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  1. Apr 16, 2012 · Philip-Lorca diCorcias photographs straddle truth and fiction by combining real people and places—but not necessarily people and places that naturally go together. The theatricality of his images is carefully constructed: he arranges the objects of each scene and devises precise lighting and framing for every project.

  2. Photography. Notable work. Strangers (1993; later exhibited as Hustlers in 2013) Philip-Lorca diCorcia (born 1953) [1] is an American photographer, living in New York City. He teaches at Yale University in New Haven, Connecticut.

  3. View Philip-Lorca diCorcias 578 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, prints and multiples, and design for sale and learn about the artist.

    • American
  4. American photographer Philip-Lorca diCorcia (b. 1951) emerged in the 1980s as part of a generation of photographers who sought to explore and challenge the boundaries of the medium. He has become known for his meticulously planned and executed photographs involving a variety of individuals in images that explore the tension between the casual ...

    • Male
    • United States
  5. STREET FARE: THE PHOTOGRAPHY OF PHILIP-LORCA DICORCIA. By Andy Grundberg. Inasmuch as movies seem to wag real events these days, it’s not much of a stretch to see Philip-Lorca diCorcias recent color photographs of crowded city streets as film stills of everyday life.

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  7. Philip-Lorca diCorcia was inducted into the International Photography Hall of Fame at a ceremony October 29th, 2021. Born in 1951 in Hartford, Connecticut, diCorcia attended the School of the Museum of Fine Arts, Boston, and received his MFA from Yale University, New Haven, Connecticut, in 1979.

  8. Apr 3, 2015 · April 3, 2015. Abraham, 2010. Courtesy of the artist and David Zwirner. With the quick reflexes of a street photographer and the controlling temperament of a Hollywood director, Philip-Lorca di Corcia has made images that are hard to pigeonhole as either set-up or spontaneous.

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