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- A Man Escaped (1956) In an unlikely alignment of Bresson’s style with the genre sensibilities of the “prison break” film, A Man Escaped may be Bresson’s only truly mainstream work while also arguably his first and fullest expression of the asceticism his whole career worked toward, both feeding and feeding on the genre mandated tension and stoicism, and finding in the prison setting a readymade stage for dramatic allegories of the spiritual.
- Au Hasard Balthazar (1966) Au Hasard Balthazar chronicles a slice of provincial life through the impassive eyes of a donkey, the titular Balthazar, as he changes hands from master to master, used and abused and silently bearing his burden.
- Diary of a Country Priest (1951) The culmination of Bresson’s work in melodrama – following the mostly conventional Angels of Sin and Les Dames du Bois de Boulogne – and his final use of professional actors, Diary of a Country Priest, from George Bernanos’ novel of the same name, also establishes his mode of existential character study, its motifs and conventions of the strictly single perspective of the priest (Claude Laydu), the exploration of psyche through diary and voiceover narration, and the film’s dramatic grounding in the internal movements of the priest’s spiritual condition, and the way these influence his relation to those around him.
- Mouchette (1967) From a novel by the same Bernanos as Diary of a Country Priest, Mouchette almost looks to be Bresson’s 400 Blows in its story of a poor and ostracized country girl that quickly takes a turn for the miserable.
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- Pickpocket
- Mouchette
- Au Hasard Balthazar
- A Man Escaped
- L’argent
- Diary of A Country Priest
- Lancelot Du Lac
Bresson explores the ambiguity of morality in his excellent 1959 film Pickpocket. Martin LaSalle stars as Michel, an impoverished petty criminal who becomes swept up in the underground world of pickpocketing in order to raise enough money to pursue his dreams. The film has an exceptional ability to capture its sequences of thievery. Each is masterf...
In Mouchette, Bresson's final film in black-and-white, the director paints a portrait of a young woman (Nadine Nortier) who suffers at the hands of the cruel society around her. Adapted from a novel by French author Georges Bernanos, Mouchette is a poetic examination of a young girl's misery while she lives an empty life exempt from happiness. Mouc...
There are few if any of Bresson’s films that aren’t wholly tragic, but Au Hasard Balthazar is one of the most unflinchingly heartbreaking. That said, it’s also one of the filmmaker’s most beautiful works, offering a glimpse at the highs and lows of human morality. Few other films have captured with such poignancy the kindness and cruelty that peopl...
It’s bold for a narrative to state explicitly in its title what’s going to happen, but A Man Escaped does just that. Clearly, it isn’t about what happens but how it happens and what everything in between means. Largely inspired by Bresson's own time spent imprisoned during the French Resistance, the film primarily takes inspiration from the real-li...
Bresson’s final film examines for one last time many of the themes that pervaded the entirety of the director’s filmography. Inspired by a novella by Leo Tolstoy, L’Argent follows the rippling consequences of a single forged bill of currency. For just over 80 minutes, this great work from one of the world’s greatest cinematic artists uses as little...
The religious overtones that pervade much of Bresson's work are perhaps most apparent in Diary of a Country Priest. Following a young priest with declining health (Claude Laydu) as he arrives at his first parish assignment, the film focuses on the nature of faith and religious obedience in a character who has little to show for his efforts. The vil...
As far as Arthurian films go, Lancelot du Lac is pretty far from what is usually expected. Anybody familiar with Bresson shouldn't be surprised, though, considering the director's tendency to operate in the quiet moments between the action. The film concerns itself with the moments following the Knight of the Round Table's failed crusade for the Ho...
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- A Man Escaped (1956) “A Man Escaped” is a classic French film directed by Robert Bresson and released in 1956. The film is based on the true story of a French Resistance fighter, André Devigny, who was imprisoned by the Germans during World War II and managed to escape from prison.
- Diary of a Country Priest (1951) “Diary of a Country Priest” is a 1951 drama film directed by Robert Bresson, based on the novel of the same name by Georges Bernanos.
- Au hasard Balthazar (1966) “Au hasard Balthazar” is a 1966 French film directed by Robert Bresson. The film tells the story of a donkey named Balthazar, who is passed from owner to owner and experiences both kindness and cruelty in his life.
- Mouchette (1967) “Mouchette” is a French film directed by Robert Bresson, released in 1967. The film is based on the novel by Georges Bernanos and tells the story of a young girl named Mouchette, who lives in a rural French village and struggles to find meaning and purpose in her life.
Jun 17, 2015 · Perhaps the best known of Bresson’s films, Pickpocket is the foundation for Paul Schrader’s important work, Transcendental Style in Film: Ozu, Bresson, Dreyer. I sometimes feel like arguing...
5 days ago · His obsession lies with framing and composition in cinema, something he explores by capturing the most memorable moments through screenshots and sharing them on social media. Explore the 10 best movies of Robert Bresson, master of minimalist storytelling, ranked in "The Art of Showing Nothing."
The 20 Best of Robert Bresson - IMDb. by kobe1413 | created - 26 Sep 2015 | updated - 28 Aug 2018 | Public. Here I have listed the twenty best films of Robert Bresson. Refine See titles to watch instantly, titles you haven't rated, etc. Sort by: View: 6 titles. 1. Angels of Sin (1943) 80 min | Drama. 7.3. Rate.
9 titles. 1. Au hasard Balthazar (1966) Not Rated | 95 min | Drama. 7.8. Rate. 98 Metascore. The story of a mistreated donkey and the people around him. A study on saintliness and a sister piece to Bresson's Mouchette. Director: Robert Bresson | Stars: Anne Wiazemsky, Walter Green, François Lafarge, Jean-Claude Guilbert.
