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  1. Intended as a reaction to preceding modern art movements, contemporary art is thought to have begun on the heels of Pop Art. In post-war Britain and America, Pop Art was pioneered by artists like Andy Warhol and Roy Lichtenstein. It is defined by an interest in portraying mass culture and reimagining commercial products as accessible art.

  2. Sep 25, 2022 · Contemporary art is art produced during “our time,” which is usually cited as 1970 to the current day. Modern art refers to art produced between the 1860s to the 1970s. Modern art was significant because it represented a global shift from realism to abstractionism. The paintings, drawings, sculptures, and architectural works produced during ...

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  3. Contemporary art is the art of today, produced in the second half of the 20th century or in the 21st century. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of materials, methods, concepts, and subjects that continue the challenging of boundaries ...

  4. May 11, 2022 · Contemporary art refers to all forms of art produced since the 1980s and is often misunderstood for works that are solely produced in the present. The term is marked by a change in the way that artists view and approach their art-making processes, of which were vastly transformed in the late 20th century. In this article, we will be unpacking ...

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  6. "Contemporary art" is a way for untalented con artists to get away with doing something awful and after the fact a lot of pretentious silly people will somehow impose ...

  7. Contemporary art is the art of our time – which means it explores the experiences, as well as the ways of seeing and thinking, that define this moment. For me, contemporary art is also an alternative way of learning about the world and processing information that, unlike much of our education and our mass media, encourages us to think for ...

  8. Feb 11, 2019 · Most contemporary art is being made outside of museums, in public spaces, for temporary exhibitions such as biennials, or is being shown online.”. You could say there’s no glue holding together Smith’s model of contemporary art, and of course, you’d be right—but that’s his point. In the absence of certainty, competing definitions of ...

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