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  1. en.wikipedia.org › wiki › Skip_WoodsSkip Woods - Wikipedia

    Skip Woods. December 4, 1969. ( 1969-12-04) (age 54) Houston, Texas, U.S. Occupation (s) Screenwriter, film director, film producer. Skip Woods (born December 4, 1969) is an American filmmaker. He has primarily worked in the action genre as the writer of the films Swordfish (2001), Hitman (2007), and A Good Day to Die Hard (2013), in addition ...

  2. www.imdb.com › name › nm0940790Skip Woods - IMDb

    Skip Woods. Writer: Thursday. Skip Woods is an American screenwriter and producer. He is best known for writing the screenplay for "Swordfish", the film adaptation of the Hitman video game series, and the 5th installment of the Die Hard franchise, "A Good Day to Die Hard".

    • Writer, Producer, Director
    • Skip Woods
  3. Në shekullin e njëzet Fox përfundimisht fiton të drejtat dhe punësohet skenaristi Skip Woods për të bërë skenarin me aktorin Vin Diesel prodhimin e ekzekutivit dhe yjet e filmit. Në dhjetor 2006, aktori Vin Diesel dha dorëheqjen nga roli.

  4. Skip Woods. Writer: Thursday. Skip Woods is an American screenwriter and producer. He is best known for writing the screenplay for "Swordfish", the film adaptation of the Hitman video game series, and the 5th installment of the Die Hard franchise, "A Good Day to Die Hard". He lives in Los Angeles, CA. Woods is also a partner in Wetwork Tactical, LLC - a weapons handling and tactics consulting ...

  5. From Wikipedia, the free encyclopedia. Skip Woods, is an American screenwriter, producer and film director. He is best known for writing the screenplay for Swordfish and the film adaptation of the Hitman video game series. Born December 4, 1969. Woods is also a partner in Wetwork Tactical, LLC - a weapons handling and tactics consulting firm - with former Army Special Forces member Jimmy ...

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  7. It is uphip to admit to being offended by anything in the new movies, and indeed it's pretty hard to offend me, but a film named "Thursday" crossed the line this week at the Toronto Film Festival. Watching it, I felt outrage. I saw a movie so reprehensible I couldn't rationalize it using the standard critical language about style, genre, or irony.

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